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Performer composer panel : Panel discussion with Kristian Hverring, Louise Alenius and Simon Steen-Andersen

Groth, Sanne Krogh LU orcid (2017) In Seismograf
Abstract
This article is an edited transcript of the panel discussion “Composer as Performer”, which took place during the Nordic Music Days in Reykjavik, September 30th, 2016. The panel discussion followed a concert with three performances also referred to in the discussion: Louise Alenius’ Rouge, Kristian Hverring’s FLOD and Juliana Hodkinson’s Nothing Breaking the Losing. The three performances were first premiered at the Royal Library in Copenhagen on September 15th 2016, and were commissioned by Sanne Krogh Groth as part of her research project “The Creator on Stage: the death and resurrection of the composer in 21st century contemporary music performances”. Participants in the panel were: composer Kristian Hverring (KH), composer Louise... (More)
This article is an edited transcript of the panel discussion “Composer as Performer”, which took place during the Nordic Music Days in Reykjavik, September 30th, 2016. The panel discussion followed a concert with three performances also referred to in the discussion: Louise Alenius’ Rouge, Kristian Hverring’s FLOD and Juliana Hodkinson’s Nothing Breaking the Losing. The three performances were first premiered at the Royal Library in Copenhagen on September 15th 2016, and were commissioned by Sanne Krogh Groth as part of her research project “The Creator on Stage: the death and resurrection of the composer in 21st century contemporary music performances”. Participants in the panel were: composer Kristian Hverring (KH), composer Louise Alenius (LA), composer Simon Steen-Andersen (SSA) and moderator and initiator Sanne Krogh Groth (SKG). (Less)
Please use this url to cite or link to this publication:
author
organization
publishing date
type
Contribution to journal
publication status
published
subject
in
Seismograf
ISSN
2245-4705
project
The Creator on Stage. The death and reappearance of composers in 21st century contemporary music performance
language
English
LU publication?
yes
id
d61b46d4-1e76-40c4-a93a-f96fadab9482
alternative location
https://seismograf.org/node/9215
date added to LUP
2017-12-22 23:35:46
date last changed
2021-05-04 16:12:37
@article{d61b46d4-1e76-40c4-a93a-f96fadab9482,
  abstract     = {{This article is an edited transcript of the panel discussion “Composer as Performer”, which took place during the Nordic Music Days in Reykjavik, September 30th, 2016. The panel discussion followed a concert with three performances also referred to in the discussion: Louise Alenius’ Rouge, Kristian Hverring’s FLOD and Juliana Hodkinson’s Nothing Breaking the Losing. The three performances were first premiered at the Royal Library in Copenhagen on September 15th 2016, and were commissioned by Sanne Krogh Groth as part of her research project “The Creator on Stage: the death and resurrection of the composer in 21st century contemporary music performances”. Participants in the panel were: composer Kristian Hverring (KH), composer Louise Alenius (LA), composer Simon Steen-Andersen (SSA) and moderator and initiator Sanne Krogh Groth (SKG).}},
  author       = {{Groth, Sanne Krogh}},
  issn         = {{2245-4705}},
  language     = {{eng}},
  month        = {{05}},
  series       = {{Seismograf}},
  title        = {{Performer composer panel : Panel discussion with Kristian Hverring, Louise Alenius and Simon Steen-Andersen}},
  url          = {{https://seismograf.org/node/9215}},
  year         = {{2017}},
}