Film Studies
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- 2022
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Mark
Creative and crime scene photography : staged patricide and matricide as screen memories in Aida Chehrehgosha’s To Mom, Dad and My Two Brothers
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- Contribution to journal › Article
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Mark
Introduction
2022)(
- Chapter in Book/Report/Conference proceeding › Foreword/Postscript
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Mark
Nostalgi er ikke redningen : Kanon, filmkritikk og ufeilbarlige helteskikkelser
2022) In Montages(
- Contribution to specialist publication or newspaper › Specialist publication article
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Mark
The Forbidden Door : The Selected Poetry of Lasse Söderberg, translated by Lars Gustaf Andersson and Carolyn Forché
2022)(
- Book/Report › Book
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Mark
Screening Precarity Scenes : Precariousness and the Welfare State in Scandinavian Film
2022) p.303-323(
- Chapter in Book/Report/Conference proceeding › Book chapter
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Mark
Tolkien inspirerade hippies
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- Contribution to specialist publication or newspaper › Review (Book/Film/Exhibition/etc.)
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Mark
Immigrant Film Co-Operatives in Sweden - The Most Typical Avant-Garde
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- Chapter in Book/Report/Conference proceeding › Book chapter
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Mark
Rendering Slow Ecological Crisis in a Popular Medium : Hyperobjects and Sámi Resistance in the Swedish-French TV Series Midnight Sun
2022) In IMAGES: The International Journal of European Film, Performing Arts and Audiovisual Communication 31(40). p.37-59(
- Contribution to journal › Article
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Mark
Från skogsbryn till masstart : Kommodifieringen av längdskidåkningens tv-sändningar från 1980-talet till 2015
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- Contribution to journal › Article
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Mark
Jacobi’s Burden : “Jewish” Figurations in Fanny och Alexander
2022) p.103-120(
- Chapter in Book/Report/Conference proceeding › Book chapter