Tracing Crime in Greenland-Set Feature Films and TV Series : Colonial Histories, Indigenous Perspectives and the Rise of Arctic Noir
(2026) In Cultural and Social Research in Greenland 2026. p.23-41- Abstract
- For over a century, screen narratives set in Greenland have used crime to re-flect and rework tensions between law, society, and place. This article examines a broad selection of films and television series set or shot in Greenland to trace how crime is used to negotiate questions of justice, identity, and power. Through a place-based approach informed by location studies, it shows how spatial rep-resentation contributes to the narrative and symbolic role of crime across both local and international productions. While crime is used differently by Greenlan-dic and foreign filmmakers, the article argues that it consistently functions as a flexible narrative device for exploring Greenland’s complex social, cultural, and geopolitical... (More)
- For over a century, screen narratives set in Greenland have used crime to re-flect and rework tensions between law, society, and place. This article examines a broad selection of films and television series set or shot in Greenland to trace how crime is used to negotiate questions of justice, identity, and power. Through a place-based approach informed by location studies, it shows how spatial rep-resentation contributes to the narrative and symbolic role of crime across both local and international productions. While crime is used differently by Greenlan-dic and foreign filmmakers, the article argues that it consistently functions as a flexible narrative device for exploring Greenland’s complex social, cultural, and geopolitical realities. The conclusion identifies crime as a persistent and adapt-able narrative tool, enabling filmmakers to engage with Greenland’s evolving legal, social, and geopolitical conditions. (Less)
Please use this url to cite or link to this publication:
https://lup.lub.lu.se/record/c212b34a-c4de-45ee-ba53-49512241c35e
- author
- Grønlund, Anders
LU
- organization
- publishing date
- 2026
- type
- Contribution to journal
- publication status
- published
- subject
- keywords
- Crime fiction, Arctic Noir, Location studies, Postcolonial film, Film history
- in
- Cultural and Social Research in Greenland
- volume
- 2026
- pages
- 19 pages
- ISSN
- 2794-6738
- language
- English
- LU publication?
- yes
- id
- c212b34a-c4de-45ee-ba53-49512241c35e
- alternative location
- https://tidsskrift.dk/gksf/article/view/167212
- date added to LUP
- 2025-11-26 14:56:17
- date last changed
- 2026-04-29 09:45:12
@article{c212b34a-c4de-45ee-ba53-49512241c35e,
abstract = {{For over a century, screen narratives set in Greenland have used crime to re-flect and rework tensions between law, society, and place. This article examines a broad selection of films and television series set or shot in Greenland to trace how crime is used to negotiate questions of justice, identity, and power. Through a place-based approach informed by location studies, it shows how spatial rep-resentation contributes to the narrative and symbolic role of crime across both local and international productions. While crime is used differently by Greenlan-dic and foreign filmmakers, the article argues that it consistently functions as a flexible narrative device for exploring Greenland’s complex social, cultural, and geopolitical realities. The conclusion identifies crime as a persistent and adapt-able narrative tool, enabling filmmakers to engage with Greenland’s evolving legal, social, and geopolitical conditions.}},
author = {{Grønlund, Anders}},
issn = {{2794-6738}},
keywords = {{Crime fiction; Arctic Noir; Location studies; Postcolonial film; Film history}},
language = {{eng}},
pages = {{23--41}},
series = {{Cultural and Social Research in Greenland}},
title = {{Tracing Crime in Greenland-Set Feature Films and TV Series : Colonial Histories, Indigenous Perspectives and the Rise of Arctic Noir}},
url = {{https://tidsskrift.dk/gksf/article/view/167212}},
volume = {{2026}},
year = {{2026}},
}