Section 4
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- 2009
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Mark
Love Does Not Conquer All: The Impossibility of Relationships in Ian McEwan's Work
(
- Bach. Degree
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Mark
19th-Century Scientific Theories and View on Man and Nature in Mary Shelley's Frankenstein and H.G. Wells's The Island of Doctor Moreau
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- Bach. Degree
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Mark
Society was tough, you just hadda be tougher: Heroism, ideology and suppressed humanity in Alan Moore's and Dave Gibbons' Watchmen
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- Bach. Degree
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Mark
Tracing Reasons and Consequences of the Death of a Sixties Dream in Hunter S. Thompson's Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream
(
- Bach. Degree
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Mark
Cloning as a Reflection of the Outlook on Society and Mankind: A Comparison Between the Fictional Dystopias in Aldous Huxley's Brave New World and Kazuo Ishiguro's Never Let Me Go
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- Bach. Degree
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Mark
A Religious and Psychological Approach to Forgiveness in Toni Morrison's Beloved
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- Bach. Degree
- 2008
-
Mark
"Es gab keine Schablone" Max von der Grün: "wie war das eigentlich?": Individuelle Erfahrungen oder Allgemeingültigkeit
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- Bach. Degree
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Mark
"To Conquer and Subdue" - Okonkwo's Masculinity in Chinua Achebe's Things Fall Apart
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- Bach. Degree
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Mark
"My name is Paul Auster. That is not my real name": The search for identity in Paul Auster's City of Glass
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- Bach. Degree
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Mark
A Subtle Slide towards Commitment: Frederick Henry's Identity in A Farewell to Arms
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- Bach. Degree