Giving the Toaster Eyes : Applied Anthropomorphism and its Influences on User-Object Relations with Everyday Objects
(2010) KOVM02 20101Division of Art History and Visual Studies
- Abstract
- Anthropomorphism, or the attribution of human characteristics and attributes to nonhuman objects, is evidenced in the design world, especially in product lines by companies such as Alessi and Koziol. As case studies, this thesis investigates Fred Flare’s Inanimates and Jenny Lundgren’s Plasticks, both of which are sheets of stickers that feature cartoonish facial features like eyes and mouths. These two products encourage the user to express applied anthropomorphism, wherein the user should literally apply facial features to an everyday object such as a coffee mug, stapler, toaster, shampoo bottle, etc., to explicitly demonstrate an anthropomorphic relationship. This thesis develops prior research by investigating how the stickers... (More)
- Anthropomorphism, or the attribution of human characteristics and attributes to nonhuman objects, is evidenced in the design world, especially in product lines by companies such as Alessi and Koziol. As case studies, this thesis investigates Fred Flare’s Inanimates and Jenny Lundgren’s Plasticks, both of which are sheets of stickers that feature cartoonish facial features like eyes and mouths. These two products encourage the user to express applied anthropomorphism, wherein the user should literally apply facial features to an everyday object such as a coffee mug, stapler, toaster, shampoo bottle, etc., to explicitly demonstrate an anthropomorphic relationship. This thesis develops prior research by investigating how the stickers encourage and/or limit anthropomorphism in design and whether the stickers weaken or strengthen the user-object relationship.
Though grounded in visual culture, this thesis first discusses anthropomorphic research from cognitive sciences to explore potential theories regarding why humans anthropomorphize. Next Inanimates and Plasticks are visually analyzed regarding: visual and material characteristics; suggestions of use; limitations of use; indications of audience; and speculations of design. The stickers and anthropomorphic theories are then considered with respect to various design theories—user/designer roles, ornamentation, interaction, care/attachment—to analyze applied anthropomorphism’s effects and possibilities for user, designer and object. Inanimates and Plasticks are then studied using Maurice Merleau-Ponty’s phenomenological theories regarding embodiment and the flesh to establish how the stickers may create stronger user-object relationships. Further implications for the stickers and applied anthropomorphism are suggested, whereby increased attachment and care could promote recycling and prevent premature object disposal. (Less)
Please use this url to cite or link to this publication:
http://lup.lub.lu.se/student-papers/record/1604671
- author
- Frayer, Marissa LU
- supervisor
- organization
- course
- KOVM02 20101
- year
- 2010
- type
- H2 - Master's Degree (Two Years)
- subject
- keywords
- plasticks, inanimates, visual culture, design, anthropomorphism, care, ornament, attachment, user-object relationship, interaction, phenomenology, embodiment, Merleau-Ponty
- language
- English
- id
- 1604671
- date added to LUP
- 2010-05-31 17:18:18
- date last changed
- 2010-05-31 17:18:18
@misc{1604671,
abstract = {{Anthropomorphism, or the attribution of human characteristics and attributes to nonhuman objects, is evidenced in the design world, especially in product lines by companies such as Alessi and Koziol. As case studies, this thesis investigates Fred Flare’s Inanimates and Jenny Lundgren’s Plasticks, both of which are sheets of stickers that feature cartoonish facial features like eyes and mouths. These two products encourage the user to express applied anthropomorphism, wherein the user should literally apply facial features to an everyday object such as a coffee mug, stapler, toaster, shampoo bottle, etc., to explicitly demonstrate an anthropomorphic relationship. This thesis develops prior research by investigating how the stickers encourage and/or limit anthropomorphism in design and whether the stickers weaken or strengthen the user-object relationship.
Though grounded in visual culture, this thesis first discusses anthropomorphic research from cognitive sciences to explore potential theories regarding why humans anthropomorphize. Next Inanimates and Plasticks are visually analyzed regarding: visual and material characteristics; suggestions of use; limitations of use; indications of audience; and speculations of design. The stickers and anthropomorphic theories are then considered with respect to various design theories—user/designer roles, ornamentation, interaction, care/attachment—to analyze applied anthropomorphism’s effects and possibilities for user, designer and object. Inanimates and Plasticks are then studied using Maurice Merleau-Ponty’s phenomenological theories regarding embodiment and the flesh to establish how the stickers may create stronger user-object relationships. Further implications for the stickers and applied anthropomorphism are suggested, whereby increased attachment and care could promote recycling and prevent premature object disposal.}},
author = {{Frayer, Marissa}},
language = {{eng}},
note = {{Student Paper}},
title = {{Giving the Toaster Eyes : Applied Anthropomorphism and its Influences on User-Object Relations with Everyday Objects}},
year = {{2010}},
}