Skriet från Hongkong. En visuell analys av hur protestaffischer skapar och representerar kollektiv identitet i Hongkongprotesterna 2019
(2020) STVK02 20201Department of Political Science
- Abstract
- The extensive use of protest art has come to characterize the 2019 protests in Hong Kong. Furthermore, due to its unique history, the region has long been characterized by its search for a collective identity. This thesis examines how protest posters are used to create and represent a collective identity in the 2019 Hong Kong protests. The thesis combines the art historical method ”iconography” with a theoretical framework of collective identity to answer the research question. Seven prominent protest posters created by activist artists in Hong Kong have been analyzed. The posters show an idealistic protest movement where the demonstrators are usually portrayed as brave frontliners who are prepared to give their lives in the fight for... (More)
- The extensive use of protest art has come to characterize the 2019 protests in Hong Kong. Furthermore, due to its unique history, the region has long been characterized by its search for a collective identity. This thesis examines how protest posters are used to create and represent a collective identity in the 2019 Hong Kong protests. The thesis combines the art historical method ”iconography” with a theoretical framework of collective identity to answer the research question. Seven prominent protest posters created by activist artists in Hong Kong have been analyzed. The posters show an idealistic protest movement where the demonstrators are usually portrayed as brave frontliners who are prepared to give their lives in the fight for their democratic rights. Visual symbols such as yellow umbrellas and construction helmets are also used to emphasize the movement's self-image as defensive and peaceful. References to historical protest movements such as the July Revolution, Tiananmen Square and the Umbrella Movement 2014, as well as depictions of various symbols of freedom, are further signs of an established collective identity. (Less)
Please use this url to cite or link to this publication:
http://lup.lub.lu.se/student-papers/record/9026431
- author
- Lundberg, Carl LU
- supervisor
- organization
- course
- STVK02 20201
- year
- 2020
- type
- M2 - Bachelor Degree
- subject
- keywords
- Hongkongprotesterna 2019, protestaffischer, kollektiv identitet, visuell analys, ikonografisk tolkning
- language
- Swedish
- id
- 9026431
- date added to LUP
- 2020-09-21 15:45:16
- date last changed
- 2020-09-21 15:45:16
@misc{9026431, abstract = {{The extensive use of protest art has come to characterize the 2019 protests in Hong Kong. Furthermore, due to its unique history, the region has long been characterized by its search for a collective identity. This thesis examines how protest posters are used to create and represent a collective identity in the 2019 Hong Kong protests. The thesis combines the art historical method ”iconography” with a theoretical framework of collective identity to answer the research question. Seven prominent protest posters created by activist artists in Hong Kong have been analyzed. The posters show an idealistic protest movement where the demonstrators are usually portrayed as brave frontliners who are prepared to give their lives in the fight for their democratic rights. Visual symbols such as yellow umbrellas and construction helmets are also used to emphasize the movement's self-image as defensive and peaceful. References to historical protest movements such as the July Revolution, Tiananmen Square and the Umbrella Movement 2014, as well as depictions of various symbols of freedom, are further signs of an established collective identity.}}, author = {{Lundberg, Carl}}, language = {{swe}}, note = {{Student Paper}}, title = {{Skriet från Hongkong. En visuell analys av hur protestaffischer skapar och representerar kollektiv identitet i Hongkongprotesterna 2019}}, year = {{2020}}, }