Vive la fransk kultur! : En kvalitativ innehållsanalys av bilden av Frankrike som kulturproducent i Dagens Nyheter och Svenska Dagbladet under 2020
(2021) EUHK30 20211European Studies
- Abstract
- The goal of this thesis was to conduct a study in what image of France as a cultural producer that was mediated by the Swedish national press, in this case Dagens Nyheter and Svenska Dagbladet, during 2020. By implementing a qualitative content analysis on all of the reviews on French cultural production published in the chosen newspapers’ cultural section throughout the year, I wanted to examine the amplitude and the framing of it to see - based on the theories of agenda-setting and framing – if these two channels could be a contributing factor to a persistent conception of France as a prominent cultural nation. The conclusion of this thesis was that French cultural production was given considerable space and that the image presented was... (More)
- The goal of this thesis was to conduct a study in what image of France as a cultural producer that was mediated by the Swedish national press, in this case Dagens Nyheter and Svenska Dagbladet, during 2020. By implementing a qualitative content analysis on all of the reviews on French cultural production published in the chosen newspapers’ cultural section throughout the year, I wanted to examine the amplitude and the framing of it to see - based on the theories of agenda-setting and framing – if these two channels could be a contributing factor to a persistent conception of France as a prominent cultural nation. The conclusion of this thesis was that French cultural production was given considerable space and that the image presented was indeed propitious. (Less)
- Abstract (Swedish)
- Målet med denna uppsats var att undersöka vilken bild av Frankrike som kulturproducent som förmedlades av svensk rikstäckande dagspress, i det här fallet Dagens Nyheter och Svenska Dagbladet, under år 2020. Genom att genomföra en kvalitativ innehållsanalys av samtliga recensioner av fransk kulturproduktion publicerade i de båda tidningarnas kulturdel under det valda året ville jag få fram utrymmet och gestaltningen denne fick. Detta för att se, med avstamp i dagordningsteorin och gestaltningsteorin, om dessa två mediekanaler kunde vara en bidragande faktor till en fortlevande uppfattning om Frankrike som en framstående kulturnation. Slutsatsen blev att fransk kulturproduktion fick betydande utrymme inom recensionslandskapet och att bilden... (More)
- Målet med denna uppsats var att undersöka vilken bild av Frankrike som kulturproducent som förmedlades av svensk rikstäckande dagspress, i det här fallet Dagens Nyheter och Svenska Dagbladet, under år 2020. Genom att genomföra en kvalitativ innehållsanalys av samtliga recensioner av fransk kulturproduktion publicerade i de båda tidningarnas kulturdel under det valda året ville jag få fram utrymmet och gestaltningen denne fick. Detta för att se, med avstamp i dagordningsteorin och gestaltningsteorin, om dessa två mediekanaler kunde vara en bidragande faktor till en fortlevande uppfattning om Frankrike som en framstående kulturnation. Slutsatsen blev att fransk kulturproduktion fick betydande utrymme inom recensionslandskapet och att bilden som presenterades var mycket fördelaktig. (Less)
Please use this url to cite or link to this publication:
http://lup.lub.lu.se/student-papers/record/9061248
- author
- Eklund, Sara LU
- supervisor
- organization
- course
- EUHK30 20211
- year
- 2021
- type
- M2 - Bachelor Degree
- subject
- keywords
- Frankrike, kulturproduktion, recensioner, medieanalys, svenska tidningar, Europastudier
- language
- Swedish
- id
- 9061248
- date added to LUP
- 2021-07-19 16:43:02
- date last changed
- 2021-07-19 16:43:02
@misc{9061248, abstract = {{The goal of this thesis was to conduct a study in what image of France as a cultural producer that was mediated by the Swedish national press, in this case Dagens Nyheter and Svenska Dagbladet, during 2020. By implementing a qualitative content analysis on all of the reviews on French cultural production published in the chosen newspapers’ cultural section throughout the year, I wanted to examine the amplitude and the framing of it to see - based on the theories of agenda-setting and framing – if these two channels could be a contributing factor to a persistent conception of France as a prominent cultural nation. The conclusion of this thesis was that French cultural production was given considerable space and that the image presented was indeed propitious.}}, author = {{Eklund, Sara}}, language = {{swe}}, note = {{Student Paper}}, title = {{Vive la fransk kultur! : En kvalitativ innehållsanalys av bilden av Frankrike som kulturproducent i Dagens Nyheter och Svenska Dagbladet under 2020}}, year = {{2021}}, }