Breaking the Stereotypes: Exploring Control and Self-Expression of Modern-Day Freak Show Performers

Abstract

Abstract
Author: Dana Štěpánková
Title: Breaking the Stereotypes: Exploring Control and Self-Expression of ModernDay Freak Show Performers
Supervisor: Sébastien Tutenges
Master’s Thesis SOCM04, Cultural Criminology, 30 credits
Department of Sociology, Spring 2023
Freak shows have been historically depicted as dehumanizing spectacles exhibiting
individuals with physical anomalies. Over time, these shows faded away, but human
curiosity and fascination with difference and deviance have brought them back in a
new form. The format and the content of these performances varies greatly from the
traditional scene focusing on showcasing the behavioral differences of human fears
and hidden desires. This research specifically focuses on the motivations, experiences,
and risks associated with performers engaged in practices such as body modifications,
body suspension, BDSM, and Shibari. Drawing upon theories of play and edgework,
the study aims to explore the complex dynamics of contemporary freak performances.
Through a qualitative research approach with ten freak show performers this thesis
provides rich and nuanced insights into their lived experiences. The findings reveal
that freak show performers are affected by the constraints of the modernized world
leading to feelings of disconnection from themselves, others, and society at large.
They are thus driven by a desire for self-actualization, self-realization, and personal
growth. The performances embody a unique blend of pleasure, challenge, and
catharsis, allowing individuals to explore their boundaries and challenge societal
norms. This research highlights the significance of understanding the agency and
subjective experiences of freak show performers, challenging stigmatization, and
societal perceptions of difference and deviance. This thesis contributes to the existing
literature on play, edgework, and freak shows in the form of cultural resistance.
Keywords: freak; freak shows; BDSM; body suspension; edgework; dark play;
subculture

Popular Abstract

Popular Science Summary
Traditional freak show performers have long been the subject of curiosity and
fascination inciting contemporary arts, such as popular entertainment found in
literature, movies, and theater. The modern-day equivalent of these shows continues
to push boundaries and challenge our perceptions. In this thesis, I explore the
motivations and experiences of freak show performers through the lenses of play
theory and edgework, examining how these performers navigate risks and find
meaning in their activities.
Through interviews with contemporary performers in body suspension, BDSM,
Shibari, and other freak show acts in the Czech scene, we gain insights into how they
approach their performances as a form of play and edgework, embracing the thrills of
risk-taking and exploring their fears and desires. I also explore the institutional
arrangements that give rise to alienation and oversocialization in these communities,
and how performers navigate these challenges.
Ultimately, this research sheds light on the complex world of freak show
performances, challenging traditional notions of what is considered normal and
acceptable. By understanding the motivations and experiences of these performers, we
can gain a deeper appreciation for the diversity and complexity of human behavior
and identity.

• author: Stepankova, Dana
• supervisor: Sebastien Tutenges
• organization: Sociology; Department of Sociology
• course: SOCM04 20231
• year: 2023
• type: H2 - Master's Degree (Two Years)
• subject: Social Sciences
• keywords: freak, freak shows, BDSM, body suspension, edgework, dark play, subculture
• language: English
• id: 9123860
• date added to LUP: 2023-06-15 14:17:14
• date last changed: 2023-06-15 14:17:14