Eden på Scen: Delimiteringskritik av Gen 2:18-3:21
(2024) BIVK10 20232Biblical Studies
Centre for Theology and Religious Studies
- Abstract
- This bachelor thesis is a delimitation criticism of part of the Eden Narrative, specifically Gen 2:18–3:21. The question explored is whether or not it is accurate
to call Gen 2:23 and 3:14–19 poetic insertions in an otherwise prose text. It is
argued that no, they cannot reasonably be argued as poetic exceptions – the text is poetic throughout. A recurring stylistic pattern tying large narrative units together is identified and explained. This pattern has Gen 2:23 and 3:14–19 as cathartic climaxes, but poetic technique is present throughout the analysed text. Thus, it is argued that reading the Eden Narrative as anything other than poetry is untenable. Furthermore, it is argued that the poetic form suggest the text was meant to be... (More) - This bachelor thesis is a delimitation criticism of part of the Eden Narrative, specifically Gen 2:18–3:21. The question explored is whether or not it is accurate
to call Gen 2:23 and 3:14–19 poetic insertions in an otherwise prose text. It is
argued that no, they cannot reasonably be argued as poetic exceptions – the text is poetic throughout. A recurring stylistic pattern tying large narrative units together is identified and explained. This pattern has Gen 2:23 and 3:14–19 as cathartic climaxes, but poetic technique is present throughout the analysed text. Thus, it is argued that reading the Eden Narrative as anything other than poetry is untenable. Furthermore, it is argued that the poetic form suggest the text was meant to be performed as something similar to a stage play.
To build these arguments, the hebrew text is analysed as presented in Lm and by extension BHS. The text is delimited into cola, strophe and narrative units. This delimitation starts in the masoretic accents, and is further refined and defended using poetic analysis. This is complemented with a dramaturgical analysis, to chart the integration of poetic technique with the overall structure of the narrative. Dramaturgical theory is used in order to seek a perspective more in line with a presumed ANE oral tradition of storytelling and poetry recitation. (Less)
Please use this url to cite or link to this publication:
http://lup.lub.lu.se/student-papers/record/9146769
- author
- Jonsson, Erik LU
- supervisor
-
- Ola Wikander LU
- organization
- course
- BIVK10 20232
- year
- 2024
- type
- M2 - Bachelor Degree
- subject
- keywords
- Genesis 2–3, Poetry, Delimitation Criticism, Dramaturgical Analysis, Dramaturgy, Masoretic Accents
- language
- Swedish
- id
- 9146769
- date added to LUP
- 2024-09-18 13:38:43
- date last changed
- 2024-09-18 13:38:43
@misc{9146769, abstract = {{This bachelor thesis is a delimitation criticism of part of the Eden Narrative, specifically Gen 2:18–3:21. The question explored is whether or not it is accurate to call Gen 2:23 and 3:14–19 poetic insertions in an otherwise prose text. It is argued that no, they cannot reasonably be argued as poetic exceptions – the text is poetic throughout. A recurring stylistic pattern tying large narrative units together is identified and explained. This pattern has Gen 2:23 and 3:14–19 as cathartic climaxes, but poetic technique is present throughout the analysed text. Thus, it is argued that reading the Eden Narrative as anything other than poetry is untenable. Furthermore, it is argued that the poetic form suggest the text was meant to be performed as something similar to a stage play. To build these arguments, the hebrew text is analysed as presented in Lm and by extension BHS. The text is delimited into cola, strophe and narrative units. This delimitation starts in the masoretic accents, and is further refined and defended using poetic analysis. This is complemented with a dramaturgical analysis, to chart the integration of poetic technique with the overall structure of the narrative. Dramaturgical theory is used in order to seek a perspective more in line with a presumed ANE oral tradition of storytelling and poetry recitation.}}, author = {{Jonsson, Erik}}, language = {{swe}}, note = {{Student Paper}}, title = {{Eden på Scen: Delimiteringskritik av Gen 2:18-3:21}}, year = {{2024}}, }