Autoethnographic Exploration of Musical Identity and Artistic Expression - A Journey Through Cultural Fusion
(2024) MUUK03 20241Malmö Academy of Music
- Abstract
- In this reflective exploration, I delve into the intricacies of my musical journey, marked by a blend of oriental and Scandinavian influences. Through personal and artistic insights, I unveil the process of shaping my musical identity as a composer, arranger, and producer. Drawing inspiration from my Egyptian heritage and experiences in Sweden, I navigate the intersection of cultural fusion and personal narrative, offering a glimpse into the transformative power of music. This project employs autoethnography and multidisciplinary approaches to articulate the nuances of my creative evolution, building up in a heartfelt reflection on the appreciation of heritage amidst the currents of change.
- Popular Abstract
- The thesis explores important musical influences particular for the author’s personal background with an autoethnographic writing. It highlights well-chosen literature and gives sounding examples of this multifaceted composer, arranger, and producer’s work. It is an interesting text about the shaping of a musical identity.
Please use this url to cite or link to this publication:
http://lup.lub.lu.se/student-papers/record/9153655
- author
- Rezk, Mina Awny Abdelmasih LU
- supervisor
- organization
- alternative title
- Ett autoetnografiskt utforskande av musikalisk identitet och konstnärliga uttryck - En resa genom kulturell fusion
- course
- MUUK03 20241
- year
- 2024
- type
- M2 - Bachelor Degree
- subject
- keywords
- Musical Identity, Cultural Fusion, Personal Narrative, Autoethnography, Multidisciplinary Expression, Music for documentary
- language
- English
- additional info
- Reflective part, 4 hp, of degree project, 15 hp, for the achievement of the degree Bachelor in Music, Folk and World Music.
Conclusion
I have offered a comprehensive view of my artistic journey and compositional approach, exploring various aspects of musical identity, creative roles, personal reflections, and multidisciplinary collaboration. By referencing the literature presented in Chapter 3, such as "Egypt and Egyptian Music" and "Understanding the Musical Identity," I reflect on the results of my exploration of musical identity and cultural fusion. My compositions echo insights from scholarly works on the impact of cultural backgrounds on artistic expression, as discussed by Frishkopf (2008) in his study on Egyptian music.
Examining my roles as a composer, arranger, and producer through the lens of literature on music production and creative processes adds depth to my understanding. Insights from Corner's (2002) analysis of music in documentary filmmaking and Hood's (1959) exploration of "Bi-Musicality" inform my discussion of the diverse roles I undertake in the creative process. Furthermore, integrating personal reflections into my compositions resonates with literature on authenticity and emotional expression in music. Scholarly discussions on the significance of personal narratives and experiences in artistic expression, such as Daly's (2022) autoethnography, provide context for understanding the depth and authenticity of my work.
Finally, exploring multidisciplinary collaboration and innovation in music production reflects broader discussions in the literature on the evolving landscape of music creation. Insights from Morricone and Miceli's (2013) exploration of composing for cinema highlight the intersection of music and visual storytelling, resonating with my discussion of the role of music in cinema and television.
In summary, I have integrated findings from my artistic exploration with insights from the literature, providing a reflective analysis of my creative journey within the broader context of scholarly discourse on musical identity and creative processes. - id
- 9153655
- date added to LUP
- 2024-05-23 15:13:24
- date last changed
- 2024-05-23 15:13:24
@misc{9153655, abstract = {{In this reflective exploration, I delve into the intricacies of my musical journey, marked by a blend of oriental and Scandinavian influences. Through personal and artistic insights, I unveil the process of shaping my musical identity as a composer, arranger, and producer. Drawing inspiration from my Egyptian heritage and experiences in Sweden, I navigate the intersection of cultural fusion and personal narrative, offering a glimpse into the transformative power of music. This project employs autoethnography and multidisciplinary approaches to articulate the nuances of my creative evolution, building up in a heartfelt reflection on the appreciation of heritage amidst the currents of change.}}, author = {{Rezk, Mina Awny Abdelmasih}}, language = {{eng}}, note = {{Student Paper}}, title = {{Autoethnographic Exploration of Musical Identity and Artistic Expression - A Journey Through Cultural Fusion}}, year = {{2024}}, }