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Den digitaliserade filmens villkor och estetik en fallstudie av Joel Havers Sci-Fi animationer

Allgén Takami, Ivan LU (2025) FIVK10 20242
Film Studies
Abstract
Digitization has not only changed the way societies store and share information, but also the view of media. With increasingly portable and accessible technologies, the conditions for the production and distribution of media are changing. The digital has been interpreted in many ways, both as a loss and as something new. A recurring question is what visibility and freedom the digital gives individual creators. This essay aims to highlight this question through a case study of filmmaker Joel Haver and his rotoscope animations on Youtube.
This essay argues for the democratizing potential and the aesthetic conditions of digital filmmaking. Haver and his work is a good example of a film production made possible by digitization. YouTube, which... (More)
Digitization has not only changed the way societies store and share information, but also the view of media. With increasingly portable and accessible technologies, the conditions for the production and distribution of media are changing. The digital has been interpreted in many ways, both as a loss and as something new. A recurring question is what visibility and freedom the digital gives individual creators. This essay aims to highlight this question through a case study of filmmaker Joel Haver and his rotoscope animations on Youtube.
This essay argues for the democratizing potential and the aesthetic conditions of digital filmmaking. Haver and his work is a good example of a film production made possible by digitization. YouTube, which Haver uses as a distribution platform, exists thanks to the digital revolution and has become well-established in our media landscape. The case study becomes a way to understand the democratizing potential and the aesthetic conditions of digital filmmaking. (Less)
Please use this url to cite or link to this publication:
author
Allgén Takami, Ivan LU
supervisor
organization
course
FIVK10 20242
year
type
M2 - Bachelor Degree
subject
keywords
Joel Haver, Animation, EbSynth-animation, Digital filmmaking, Youtube, Incongruence, Shortformcomedy
language
Swedish
id
9185509
date added to LUP
2025-02-20 08:26:54
date last changed
2025-02-20 08:26:54
@misc{9185509,
  abstract     = {{Digitization has not only changed the way societies store and share information, but also the view of media. With increasingly portable and accessible technologies, the conditions for the production and distribution of media are changing. The digital has been interpreted in many ways, both as a loss and as something new. A recurring question is what visibility and freedom the digital gives individual creators. This essay aims to highlight this question through a case study of filmmaker Joel Haver and his rotoscope animations on Youtube.
This essay argues for the democratizing potential and the aesthetic conditions of digital filmmaking. Haver and his work is a good example of a film production made possible by digitization. YouTube, which Haver uses as a distribution platform, exists thanks to the digital revolution and has become well-established in our media landscape. The case study becomes a way to understand the democratizing potential and the aesthetic conditions of digital filmmaking.}},
  author       = {{Allgén Takami, Ivan}},
  language     = {{swe}},
  note         = {{Student Paper}},
  title        = {{Den digitaliserade filmens villkor och estetik en fallstudie av Joel Havers Sci-Fi animationer}},
  year         = {{2025}},
}