Levande tavlor – om musikens inneboende rörelser
(2024) MUUK03 20241Malmö Academy of Music
- Abstract (Swedish)
- Syftet med denna studie var att, inom ramarna för västerländsk dans- och musikkonst, undersöka hurmusikaliska parametrar uppmuntrar ett förkroppsligande i form av dans eller rörelse. Som musikaliskreferens använder jag mitt orkesterstycke Palett: Purpur (2024). Förfarandet för undersökningenbörjade med att efterforska om dansens och musikens historiska utveckling inom västerländskbalettkonst samt diskutera begreppet “dans” och vad det kan innefatta. Vidare beskriver jag kort ombegreppen “absolut musik” och “programmusik” som kan vara relevanta perspektiv i musikens ochdansens relation. Sedan, för att upptäcka de potentiella danselementen som är inbäddade specifikt imin musik, träffade jag två personer med stor kunskap inom ämnet dans och... (More)
- Syftet med denna studie var att, inom ramarna för västerländsk dans- och musikkonst, undersöka hurmusikaliska parametrar uppmuntrar ett förkroppsligande i form av dans eller rörelse. Som musikaliskreferens använder jag mitt orkesterstycke Palett: Purpur (2024). Förfarandet för undersökningenbörjade med att efterforska om dansens och musikens historiska utveckling inom västerländskbalettkonst samt diskutera begreppet “dans” och vad det kan innefatta. Vidare beskriver jag kort ombegreppen “absolut musik” och “programmusik” som kan vara relevanta perspektiv i musikens ochdansens relation. Sedan, för att upptäcka de potentiella danselementen som är inbäddade specifikt imin musik, träffade jag två personer med stor kunskap inom ämnet dans och rörelse, och lät demreagera på mitt stycke och beskriva deras uppfattningar om musiken. Med detta empiriska materialkunde jag analysera deras uppfattningar och jämföra dem med mina ursprungliga rörelseidéer tillstycket. Resultatet visar att båda informanter uppfattar de stora dramaturgiska dragen i mitt styckePalett: Purpur, och ser flera olika möjligheter till förkroppsligande i form av dans eller rörelse.Utifrån deras perspektiv finns dock aspekter som riskerar hindra dansen från att komma till sin rätt ijust denna musikaliska kontext. (Less)
- Abstract
- The purpose of this study was to investigate which musical parameters encourage embodiment interms of dance or movement, within the framework of Western dance and music. As a musicalreference, I use my orchestral piece Palett: Purpur (2024). The procedure for the investigation startedoff by exploring the historical development of dance and music in Western ballet art, and discussingthe term "dance" and what it might include. Furthermore, I briefly describe the concepts of "absolutemusic" and "program music" which can be relevant perspectives in the relationship between musicand dance. Then, to discover the potential dance elements embedded specifically in my music, I metwith two people with great knowledge in the subject of dance and... (More)
- The purpose of this study was to investigate which musical parameters encourage embodiment interms of dance or movement, within the framework of Western dance and music. As a musicalreference, I use my orchestral piece Palett: Purpur (2024). The procedure for the investigation startedoff by exploring the historical development of dance and music in Western ballet art, and discussingthe term "dance" and what it might include. Furthermore, I briefly describe the concepts of "absolutemusic" and "program music" which can be relevant perspectives in the relationship between musicand dance. Then, to discover the potential dance elements embedded specifically in my music, I metwith two people with great knowledge in the subject of dance and movement, and had them react tomy piece and describe their perceptions of the music. With this empirical material, I was able toanalyze their perceptions and compare them with my original movement ideas for the piece. Theresult shows that both informants perceive the major dramaturgical features of my piece Palett:Purple, and see several different possibilities for embodiment in the form of dance or movement.From their perspective, however, there are aspects that might prevent the dance from coming to its fullpotential in this particular musical context. (Less)
Please use this url to cite or link to this publication:
http://lup.lub.lu.se/student-papers/record/9186125
- author
- Salomonsson, Agnes
- supervisor
- organization
- alternative title
- Living paintings – about the inherent movements of music
- course
- MUUK03 20241
- year
- 2024
- type
- M2 - Bachelor Degree
- subject
- keywords
- komposition, dans, rörelse, gestaltning, konstnärlig interpretation
- language
- Swedish
- id
- 9186125
- date added to LUP
- 2025-03-06 15:38:16
- date last changed
- 2025-03-06 15:38:16
@misc{9186125,
abstract = {{The purpose of this study was to investigate which musical parameters encourage embodiment interms of dance or movement, within the framework of Western dance and music. As a musicalreference, I use my orchestral piece Palett: Purpur (2024). The procedure for the investigation startedoff by exploring the historical development of dance and music in Western ballet art, and discussingthe term "dance" and what it might include. Furthermore, I briefly describe the concepts of "absolutemusic" and "program music" which can be relevant perspectives in the relationship between musicand dance. Then, to discover the potential dance elements embedded specifically in my music, I metwith two people with great knowledge in the subject of dance and movement, and had them react tomy piece and describe their perceptions of the music. With this empirical material, I was able toanalyze their perceptions and compare them with my original movement ideas for the piece. Theresult shows that both informants perceive the major dramaturgical features of my piece Palett:Purple, and see several different possibilities for embodiment in the form of dance or movement.From their perspective, however, there are aspects that might prevent the dance from coming to its fullpotential in this particular musical context.}},
author = {{Salomonsson, Agnes}},
language = {{swe}},
note = {{Student Paper}},
title = {{Levande tavlor – om musikens inneboende rörelser}},
year = {{2024}},
}