”eg har tenkt/ at det finst ein stad” – om det utopiska i Jon Fosses dramatik
(2025) LIVR07 20241Master's Programme: Literature - Culture - Media
- Abstract (Swedish)
- Det övergripande syftet med denna undersökning har varit att bredda bilden av Jon Fosse som dramatiker, genom att pröva hans pjäser mot ett perspektiv från den kritiska teorin – nämligen det utopiska, såsom det formulerats av Theodor W. Adorno och Ruth Levitas. Mer specifikt handlar det om att utforska negationen och dess utopiska potential i följande fem teaterstycken av Jon Fosse: Nokon kjem til å komme (1992), Og aldri skal vi skiljast (1993), Namnet (1994), Draum om hausten (1998) and Eg er vinden (2006). I en tematisk analys diskuteras hur aspekter som namnlöshet, icke-platser och språkliga nollpunkter rymmer impulser som ger Fosses dramatik en utopisk kvalitet.
- Abstract
- A general purpose of this study has been to refine the image of Jon Fosse as a playwright. The way to approach this has been to examine his plays from a perspective from critical theory – namely the utopian, as formulated by Theodor W. Adorno and Ruth Levitas. More specifically, the task has been to explore the negation and its utopian potential in the following five plays by Jon Fosse: Nokon kjem til å komme (1992), Og aldri skal vi skiljast (1993), Namnet (1994), Draum om hausten (1998) and Eg er vinden (2006). In a thematic analysis I have shown how aspects in Fosse’s plays such as anonymity, non-existing places and linguistic ground zeros can be described as giving a utopian quality to Jon Fosse’s dramatic texts.
Please use this url to cite or link to this publication:
http://lup.lub.lu.se/student-papers/record/9215952
- author
- Lindquist, Kristina LU
- supervisor
- organization
- course
- LIVR07 20241
- year
- 2025
- type
- H2 - Master's Degree (Two Years)
- subject
- keywords
- Jon Fosse, dramatik, teater, utopi, Theodor W. Adorno, drama, theatre, utopia
- language
- Swedish
- id
- 9215952
- date added to LUP
- 2025-12-04 08:13:21
- date last changed
- 2025-12-04 08:13:21
@misc{9215952,
abstract = {{A general purpose of this study has been to refine the image of Jon Fosse as a playwright. The way to approach this has been to examine his plays from a perspective from critical theory – namely the utopian, as formulated by Theodor W. Adorno and Ruth Levitas. More specifically, the task has been to explore the negation and its utopian potential in the following five plays by Jon Fosse: Nokon kjem til å komme (1992), Og aldri skal vi skiljast (1993), Namnet (1994), Draum om hausten (1998) and Eg er vinden (2006). In a thematic analysis I have shown how aspects in Fosse’s plays such as anonymity, non-existing places and linguistic ground zeros can be described as giving a utopian quality to Jon Fosse’s dramatic texts.}},
author = {{Lindquist, Kristina}},
language = {{swe}},
note = {{Student Paper}},
title = {{”eg har tenkt/ at det finst ein stad” – om det utopiska i Jon Fosses dramatik}},
year = {{2025}},
}