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Lyssnande, samarbete & drivkraft: En text och studie i lyssnande, samverkan och målmedvetenhet mellan musiker

Kauppi, Eskil LU (2025) MUUK03 20251
Malmö Academy of Music
Abstract (Swedish)
Arbetets syfte är att genom intervjuer ta reda på hur viktigt samverkan och företagsamhet är för alla musiker och kompositörer. Hur hör detta ihop med lyssnande och samverkan i repetitions- eller konsertsalen? Vad tycker dirigenten är viktigt för att driva en orkesterrepetition framåt? Vilken väg ska en kompositör gå för att komma i kontakt med konserthusen? Med intervjuer av kollegor och professorer samt exempel från egna arbetssituationer vill arbetet lyfta fram hur viktigt det är att ta egna initiativ gällande konserter, repetitioner och möten. Att kunna kommunicera på ett öppet sätt både i och utanför sitt musicerande, driva eget företag och skapa konsertmöjligheter kan vara vitalt för hur man klarar sig i arbetslivet.
Abstract
The aim of the work is to find out through interviews how important collaboration and entrepreneurship are for all musicians and composers. How does this relate to listening and collaboration in the rehearsal or concert hall? What does the conductor think is important to drive an orchestral rehearsal forward? What route should a composer take to get in touch with concert halls? Through interviews with colleagues and professors, as well as examples from own work situations, the work aims to highlight how important it is to take your own initiative regarding concerts, rehearsals and meetings. Being able to communicate openly both in and outside of music, running your own business and creating concert opportunities can be vital for how you... (More)
The aim of the work is to find out through interviews how important collaboration and entrepreneurship are for all musicians and composers. How does this relate to listening and collaboration in the rehearsal or concert hall? What does the conductor think is important to drive an orchestral rehearsal forward? What route should a composer take to get in touch with concert halls? Through interviews with colleagues and professors, as well as examples from own work situations, the work aims to highlight how important it is to take your own initiative regarding concerts, rehearsals and meetings. Being able to communicate openly both in and outside of music, running your own business and creating concert opportunities can be vital for how you cope in working life. (Less)
Please use this url to cite or link to this publication:
author
Kauppi, Eskil LU
supervisor
organization
alternative title
Listening, Collaboration & Drive
course
MUUK03 20251
year
type
M2 - Bachelor Degree
subject
keywords
Samarbete, Lyssnande, Lärande, Drivkraft, Musik, Universitet, Arbetsliv
language
Swedish
additional info
Reflekterande del, 4 hp, av självständigt arbete (examensarbete), 15 hp,
för uppnående av konstnärlig kandidatexamen i musik, komposition.
id
9216152
date added to LUP
2025-12-15 10:35:59
date last changed
2025-12-15 10:35:59
@misc{9216152,
  abstract     = {{The aim of the work is to find out through interviews how important collaboration and entrepreneurship are for all musicians and composers. How does this relate to listening and collaboration in the rehearsal or concert hall? What does the conductor think is important to drive an orchestral rehearsal forward? What route should a composer take to get in touch with concert halls? Through interviews with colleagues and professors, as well as examples from own work situations, the work aims to highlight how important it is to take your own initiative regarding concerts, rehearsals and meetings. Being able to communicate openly both in and outside of music, running your own business and creating concert opportunities can be vital for how you cope in working life.}},
  author       = {{Kauppi, Eskil}},
  language     = {{swe}},
  note         = {{Student Paper}},
  title        = {{Lyssnande, samarbete & drivkraft: En text och studie i lyssnande, samverkan och målmedvetenhet mellan musiker}},
  year         = {{2025}},
}