Glitch Art Narratives: An investigation of the relation between noise and meaning
(2014) KOVM12 20141Division of Art History and Visual Studies
- Abstract
- This thesis investigates the ontological meta-narratives of glitch art and focuses on it as the transition from images with noise, into a site of meaning. In the first chapter I will discuss glitch art as a failure in communication that stimulates our perception. By relating glitch art to noise art, I will describe the prevalence of a common artistic approach towards errors, while through Fiske’s notion of ‘entropy’ I will examine how unconventional information affects us. These findings, combined with the analysis of distinct glitch art typologies in the second chapter, will highlight the instrumentalization of accidents as a method for processing reality. This method will be investigated through a content analysis of a digital glitch-art... (More)
- This thesis investigates the ontological meta-narratives of glitch art and focuses on it as the transition from images with noise, into a site of meaning. In the first chapter I will discuss glitch art as a failure in communication that stimulates our perception. By relating glitch art to noise art, I will describe the prevalence of a common artistic approach towards errors, while through Fiske’s notion of ‘entropy’ I will examine how unconventional information affects us. These findings, combined with the analysis of distinct glitch art typologies in the second chapter, will highlight the instrumentalization of accidents as a method for processing reality. This method will be investigated through a content analysis of a digital glitch-art work that will be bound with Lyotard’s notion of the ‘aesthetics of post-modernity’ and Virilio’s concept of a ‘vision machine’. This contextualization will introduce glitch art as a metonym for reality and as a mechanism that revolutionizes our perception and reinforces our tolerance against the stress that Virilio ascribes to the unknown source of the Original Accident. The third chapter is investigating hybrid glitch art forms as the result of this meaning making process. Through the examination of an oil painting that imitates the visual manifestation of digital errors, I will demonstrate that there is a semiotic interrelation between glitch art and the Accident, which simultaneously redefines the ontology of the former, as glitch art is becoming the Myth of the Accident. As a result, this thesis will investigate the connections of ontological meta-narratives in contemporary art to mechanisms for acquiring knowledge and processing reality, in an example of the current phenomenon of glitch art. (Less)
Please use this url to cite or link to this publication:
http://lup.lub.lu.se/student-papers/record/4446947
- author
- Sotiraki, Virginia LU
- supervisor
- organization
- course
- KOVM12 20141
- year
- 2014
- type
- H2 - Master's Degree (Two Years)
- subject
- keywords
- Semiotics, Paul Virilio, Noise, Glitch Art
- language
- English
- id
- 4446947
- date added to LUP
- 2014-11-07 15:43:11
- date last changed
- 2014-11-07 15:43:11
@misc{4446947,
abstract = {{This thesis investigates the ontological meta-narratives of glitch art and focuses on it as the transition from images with noise, into a site of meaning. In the first chapter I will discuss glitch art as a failure in communication that stimulates our perception. By relating glitch art to noise art, I will describe the prevalence of a common artistic approach towards errors, while through Fiske’s notion of ‘entropy’ I will examine how unconventional information affects us. These findings, combined with the analysis of distinct glitch art typologies in the second chapter, will highlight the instrumentalization of accidents as a method for processing reality. This method will be investigated through a content analysis of a digital glitch-art work that will be bound with Lyotard’s notion of the ‘aesthetics of post-modernity’ and Virilio’s concept of a ‘vision machine’. This contextualization will introduce glitch art as a metonym for reality and as a mechanism that revolutionizes our perception and reinforces our tolerance against the stress that Virilio ascribes to the unknown source of the Original Accident. The third chapter is investigating hybrid glitch art forms as the result of this meaning making process. Through the examination of an oil painting that imitates the visual manifestation of digital errors, I will demonstrate that there is a semiotic interrelation between glitch art and the Accident, which simultaneously redefines the ontology of the former, as glitch art is becoming the Myth of the Accident. As a result, this thesis will investigate the connections of ontological meta-narratives in contemporary art to mechanisms for acquiring knowledge and processing reality, in an example of the current phenomenon of glitch art.}},
author = {{Sotiraki, Virginia}},
language = {{eng}},
note = {{Student Paper}},
title = {{Glitch Art Narratives: An investigation of the relation between noise and meaning}},
year = {{2014}},
}