Imagining Somewheres: Obstruction as a Productive Force in Decolonial Visuality, Solidarities, and Asian American Futures
(2018) KOVM12 20181Division of Art History and Visual Studies
- Abstract
- Through a decolonial lens, visual culture can offer a variety of methods for solidarity-, community-, and future-building among people of color and other marginalized identities through applied imagination. However, a common impulse in these community-building endeavors is to explain as much as possible or to direct the image to the white gaze––a colonial ideology––which can further marginalize and unintentionally other the depicted subjects. My empirical materials span fine art, social media, e-zines, and historical images depicting people of color in the U.S. and Canada, with a particular focus on Asian (North) American embodiment in visual culture. I chose to concentrate on the simultaneous visibility (raced) and invisibility... (More)
- Through a decolonial lens, visual culture can offer a variety of methods for solidarity-, community-, and future-building among people of color and other marginalized identities through applied imagination. However, a common impulse in these community-building endeavors is to explain as much as possible or to direct the image to the white gaze––a colonial ideology––which can further marginalize and unintentionally other the depicted subjects. My empirical materials span fine art, social media, e-zines, and historical images depicting people of color in the U.S. and Canada, with a particular focus on Asian (North) American embodiment in visual culture. I chose to concentrate on the simultaneous visibility (raced) and invisibility (under-/misrepresentation) of Asian (North) Americans, as this area remains under-researched.
In this thesis, I explore whether and how obstruction of the gaze (visual refusal) functions as a possible intervention for this problem. As interpretations of obstruction, I have analyzed codification, physical obstructions, and visual disruptions (e.g. pixelation, text) as protective visual aspects. Drawing from decoloniality (Walter Mignolo, Aníbal Quijano), intersectional feminism (Audre Lorde), literary criticism (Monica Chiu, Eleanor Ty), and critical race studies (George Yancy), I apply an interdisciplinary perspective to a late Foucauldian discourse analysis. In addition, I have created a visual chapter––a Virtual Reality 360 piece––exploring the materiality of the theories, my own analyses of the empirical materials, and obstruction as applied to an immersive virtual space. As an applied practice, obstruction offers protective functions, as well as creative and future-building ones (through support). Although obstruction is technically one intervention, its iterations are many and should continue to be explored. (Less)
Please use this url to cite or link to this publication:
http://lup.lub.lu.se/student-papers/record/8945780
- author
- Chang, Clarissa Grace LU
- supervisor
- organization
- course
- KOVM12 20181
- year
- 2018
- type
- H2 - Master's Degree (Two Years)
- subject
- keywords
- decoloniality, obstruction, radical hope, Asian American embodiment, virtual reality
- language
- English
- additional info
- The VR piece is available upon request (to the author/creator).
- id
- 8945780
- date added to LUP
- 2018-06-11 15:55:07
- date last changed
- 2018-06-11 15:55:07
@misc{8945780,
abstract = {{Through a decolonial lens, visual culture can offer a variety of methods for solidarity-, community-, and future-building among people of color and other marginalized identities through applied imagination. However, a common impulse in these community-building endeavors is to explain as much as possible or to direct the image to the white gaze––a colonial ideology––which can further marginalize and unintentionally other the depicted subjects. My empirical materials span fine art, social media, e-zines, and historical images depicting people of color in the U.S. and Canada, with a particular focus on Asian (North) American embodiment in visual culture. I chose to concentrate on the simultaneous visibility (raced) and invisibility (under-/misrepresentation) of Asian (North) Americans, as this area remains under-researched.
In this thesis, I explore whether and how obstruction of the gaze (visual refusal) functions as a possible intervention for this problem. As interpretations of obstruction, I have analyzed codification, physical obstructions, and visual disruptions (e.g. pixelation, text) as protective visual aspects. Drawing from decoloniality (Walter Mignolo, Aníbal Quijano), intersectional feminism (Audre Lorde), literary criticism (Monica Chiu, Eleanor Ty), and critical race studies (George Yancy), I apply an interdisciplinary perspective to a late Foucauldian discourse analysis. In addition, I have created a visual chapter––a Virtual Reality 360 piece––exploring the materiality of the theories, my own analyses of the empirical materials, and obstruction as applied to an immersive virtual space. As an applied practice, obstruction offers protective functions, as well as creative and future-building ones (through support). Although obstruction is technically one intervention, its iterations are many and should continue to be explored.}},
author = {{Chang, Clarissa Grace}},
language = {{eng}},
note = {{Student Paper}},
title = {{Imagining Somewheres: Obstruction as a Productive Force in Decolonial Visuality, Solidarities, and Asian American Futures}},
year = {{2018}},
}