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Ett liv i sus och brus - En undersökning om hur musiker med tinnitus hanterar sitt yrke

Andersson, David (2009)
Malmö Academy of Music
Abstract
Title: A life in crash and bang - research about how musicians with tinnitus cope with their profession
The purpose of this study is to investigate how musicians who have been affected by tinnitus or sound sensitivity deal with their profession. The material of this study consists of five interviews with professional musicians active within the classical music sphere as well as within jazz and rock/blues who have all suffered due to tinnitus and/or sound sensitivity. The results of this study pay attention to the following measures and are categorized after: sick leave/longer absence, the use of ear-plugs, preparing/aftermath related to a concert, adapting to the working environment as well as changes concerning the duties at work. Based... (More)
Title: A life in crash and bang - research about how musicians with tinnitus cope with their profession
The purpose of this study is to investigate how musicians who have been affected by tinnitus or sound sensitivity deal with their profession. The material of this study consists of five interviews with professional musicians active within the classical music sphere as well as within jazz and rock/blues who have all suffered due to tinnitus and/or sound sensitivity. The results of this study pay attention to the following measures and are categorized after: sick leave/longer absence, the use of ear-plugs, preparing/aftermath related to a concert, adapting to the working environment as well as changes concerning the duties at work. Based on this study’s collected data and the literature used in this investigation, different measures were taken by the musicians depending on their instrument or the musical genre that the musician in question belongs to. At the end of this paper, a new study is suggested focusing on the sound level as experienced by the audience of a concert. (Less)
Abstract (Swedish)
Syftet med denna studie är att undersöka hur musiker som har drabbats av tinnitus eller ljudöverkänslighet hanterar sitt yrke. Underlaget för studien består av fem stycken intervjuer med aktiva musiker inom klassisk musik, jazz och rock/blues som drabbats av tinnitus och/eller ljudöverkänslighet. Studiens resultat visar på följande åtgärder och är kategoriserade efter dessa: sjukskrivning/längre uppehåll, användning av öronproppar, förberedelser/efterarbete i samband med konsert, anpassning i arbetsmiljö samt förändring av tjänst. Utifrån studiens
insamlade data och den litteratur som ligger till grund för undersökningen har det framkommit att det finns skillnader i vilka åtgärder som vidtas beroende på vilket instrument som trakteras... (More)
Syftet med denna studie är att undersöka hur musiker som har drabbats av tinnitus eller ljudöverkänslighet hanterar sitt yrke. Underlaget för studien består av fem stycken intervjuer med aktiva musiker inom klassisk musik, jazz och rock/blues som drabbats av tinnitus och/eller ljudöverkänslighet. Studiens resultat visar på följande åtgärder och är kategoriserade efter dessa: sjukskrivning/längre uppehåll, användning av öronproppar, förberedelser/efterarbete i samband med konsert, anpassning i arbetsmiljö samt förändring av tjänst. Utifrån studiens
insamlade data och den litteratur som ligger till grund för undersökningen har det framkommit att det finns skillnader i vilka åtgärder som vidtas beroende på vilket instrument som trakteras eller vilken genre en musiker tillhör. I slutet av uppsatsen föreslås att fortsatt forskning skulle kunna handla om hur ljudnivån upplevs av konsertpubliken. (Less)
Please use this url to cite or link to this publication:
author
Andersson, David
supervisor
organization
year
type
M2 - Bachelor Degree
subject
keywords
musicians, sound sensitivity, tinnitus, ear-plugs, musiker, ljudöverkänslighet, öronproppar
language
Swedish
id
1608512
date added to LUP
2010-05-26 14:42:14
date last changed
2010-05-26 14:42:14
@misc{1608512,
  abstract     = {{Title: A life in crash and bang - research about how musicians with tinnitus cope with their profession
The purpose of this study is to investigate how musicians who have been affected by tinnitus or sound sensitivity deal with their profession. The material of this study consists of five interviews with professional musicians active within the classical music sphere as well as within jazz and rock/blues who have all suffered due to tinnitus and/or sound sensitivity. The results of this study pay attention to the following measures and are categorized after: sick leave/longer absence, the use of ear-plugs, preparing/aftermath related to a concert, adapting to the working environment as well as changes concerning the duties at work. Based on this study’s collected data and the literature used in this investigation, different measures were taken by the musicians depending on their instrument or the musical genre that the musician in question belongs to. At the end of this paper, a new study is suggested focusing on the sound level as experienced by the audience of a concert.}},
  author       = {{Andersson, David}},
  language     = {{swe}},
  note         = {{Student Paper}},
  title        = {{Ett liv i sus och brus - En undersökning om hur musiker med tinnitus hanterar sitt yrke}},
  year         = {{2009}},
}