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Performativitet i sånger av och med Christina Kjellsson

Dahlberg, Isabell LU (2013) LIVK10 20122
Comparative Literature
Abstract
In this paper I have attempted to highlight performative aspects of the Swedish musician and songwriter Christina Kjellsson's songs, i.e. 'performative' meaning that which has to do with performing something, on for example a stage. I have looked at the use of rhyme, of dramatic beginnings, catchy encores and effective ends, the many details from everyday life in combination with personal address, shifting narrative perspectives,employment of meta musical (and other) references, and also aspects related to performing, such as appearance, set-up, the relation to the audience etc.
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author
Dahlberg, Isabell LU
supervisor
organization
course
LIVK10 20122
year
type
M2 - Bachelor Degree
subject
keywords
Christina Kjellssson, visa, Marita Rhedin, Lars Lönnroth, performativitet, den dubbla scenen, feminism, intimitet, vardag, rim, framförande, Svenskt visarkiv, Visarkivet i Västervik, sång, Grön turban, Långt till Amerika, Grannar, Ordagrant, Mitt i en Mening, Rim och reson
language
Swedish
id
3409774
date added to LUP
2013-01-31 14:04:21
date last changed
2013-01-31 14:04:21
@misc{3409774,
  abstract     = {{In this paper I have attempted to highlight performative aspects of the Swedish musician and songwriter Christina Kjellsson's songs, i.e. 'performative' meaning that which has to do with performing something, on for example a stage. I have looked at the use of rhyme, of dramatic beginnings, catchy encores and effective ends, the many details from everyday life in combination with personal address, shifting narrative perspectives,employment of meta musical (and other) references, and also aspects related to performing, such as appearance, set-up, the relation to the audience etc.}},
  author       = {{Dahlberg, Isabell}},
  language     = {{swe}},
  note         = {{Student Paper}},
  title        = {{Performativitet i sånger av och med Christina Kjellsson}},
  year         = {{2013}},
}