No (Wo)man's Land - The Making of a Room of One's Own in Monica Ali's Brick Lane
(2019) ENGK01 20191English Studies
- Abstract
- In this essay, I uncover and examine a number of different strategies applied toward self-realization in Monica Ali’s Brick Lane (2003). I filter Ali’s modern day bildungsroman through the lens of Virginia Woolf’s understanding of self-realization as a gendered process as well as through Homi K. Bhabha’s postcolonial theory. I argue that Nazneen, the protagonist of the novel, is subject to a binary understanding of gender that fuels a construction of women as inferior. Furthermore, the dominant Western culture pressures Nazneen to see herself through the eyes of the British. However, inside this skewed power structure, Nazneen actively seeks out activities in which to lose herself. By experiencing moments of life while not thinking about... (More)
- In this essay, I uncover and examine a number of different strategies applied toward self-realization in Monica Ali’s Brick Lane (2003). I filter Ali’s modern day bildungsroman through the lens of Virginia Woolf’s understanding of self-realization as a gendered process as well as through Homi K. Bhabha’s postcolonial theory. I argue that Nazneen, the protagonist of the novel, is subject to a binary understanding of gender that fuels a construction of women as inferior. Furthermore, the dominant Western culture pressures Nazneen to see herself through the eyes of the British. However, inside this skewed power structure, Nazneen actively seeks out activities in which to lose herself. By experiencing moments of life while not thinking about her sex or her ethnicity, she sporadically transcends the otherwise impeding social structure. Brick Lane is consequently a vivid portrait of self-discovery in the modern era containing an ‘other’ that is not only a victim, but also an agent, within a skewed power structure. (Less)
Please use this url to cite or link to this publication:
http://lup.lub.lu.se/student-papers/record/8985699
- author
- Richardsson, Wallentin LU
- supervisor
-
- Cian Duffy LU
- organization
- course
- ENGK01 20191
- year
- 2019
- type
- M2 - Bachelor Degree
- subject
- keywords
- The Self and Society/Emancipation/Gender/Hybridity/Androgyny/Woolf/Bhabha
- language
- English
- id
- 8985699
- date added to LUP
- 2019-06-24 08:53:02
- date last changed
- 2019-06-24 08:53:02
@misc{8985699,
abstract = {{In this essay, I uncover and examine a number of different strategies applied toward self-realization in Monica Ali’s Brick Lane (2003). I filter Ali’s modern day bildungsroman through the lens of Virginia Woolf’s understanding of self-realization as a gendered process as well as through Homi K. Bhabha’s postcolonial theory. I argue that Nazneen, the protagonist of the novel, is subject to a binary understanding of gender that fuels a construction of women as inferior. Furthermore, the dominant Western culture pressures Nazneen to see herself through the eyes of the British. However, inside this skewed power structure, Nazneen actively seeks out activities in which to lose herself. By experiencing moments of life while not thinking about her sex or her ethnicity, she sporadically transcends the otherwise impeding social structure. Brick Lane is consequently a vivid portrait of self-discovery in the modern era containing an ‘other’ that is not only a victim, but also an agent, within a skewed power structure.}},
author = {{Richardsson, Wallentin}},
language = {{eng}},
note = {{Student Paper}},
title = {{No (Wo)man's Land - The Making of a Room of One's Own in Monica Ali's Brick Lane}},
year = {{2019}},
}