¿Sexismo o liberación femenina? Un análisis feminista de dos canciones del álbum Motomami de Rosalía
(2024) ÄSPD04 20232Spanish Studies
- Abstract
- The purpose of this thesis is to propose some feminist tools to study possible sexism in the album Motomami (2022) by Rosalía. In order to achieve the purpose, the most controversial songs and music videos of the album are critically analyzed: “Saoko” and “Hentai”. Both textual and visual aspects are analyzed. The analysis itself is connected to feminist literature. Additionally, it studies how Rosalía has changed as an artist since her album El mal querer. The results of the feminist analysis show that sexual content in the lyrics and music videos can be seen as both sexist and female liberation, depending on the feminist theory defended. The sexual content of Motomami, according to radical feminism, tends to be seen as sexist, while... (More)
- The purpose of this thesis is to propose some feminist tools to study possible sexism in the album Motomami (2022) by Rosalía. In order to achieve the purpose, the most controversial songs and music videos of the album are critically analyzed: “Saoko” and “Hentai”. Both textual and visual aspects are analyzed. The analysis itself is connected to feminist literature. Additionally, it studies how Rosalía has changed as an artist since her album El mal querer. The results of the feminist analysis show that sexual content in the lyrics and music videos can be seen as both sexist and female liberation, depending on the feminist theory defended. The sexual content of Motomami, according to radical feminism, tends to be seen as sexist, while liberal sexual theories see it as liberating. Rosalía as an artist has moved towards an increasingly sexualized image; Feminism is present in both El mal querer and Motomami, but they are expressed in different ways. El mal querer is based on radical feminism, while Motomami is permeated with more sexually liberal feminist theories. (Less)
- Abstract (Spanish)
- El propósito de esta tesina es proponer algunas herramientas feministas para estudiar el posible sexismo en el álbum Motomami (2022) de Rosalía. Con el fin de lograr el propósito, se analizan críticamente las canciones y videos musicales más polémicos del álbum: “Saoko” y “Hentai”. Se analizan tanto los aspectos textuales como los visuales. Se conecta el propio análisis con literatura feminista. Además, se estudia cómo ha cambiado Rosalía como artista desde su álbum El mal querer. Los resultados del análisis feminista muestran que el contenido sexual en las letras y los vídeos musicales puede verse tanto como sexista como liberación femenina, dependiendo de la teoría feminista que se defienda. El contenido sexual de Motomami, según el... (More)
- El propósito de esta tesina es proponer algunas herramientas feministas para estudiar el posible sexismo en el álbum Motomami (2022) de Rosalía. Con el fin de lograr el propósito, se analizan críticamente las canciones y videos musicales más polémicos del álbum: “Saoko” y “Hentai”. Se analizan tanto los aspectos textuales como los visuales. Se conecta el propio análisis con literatura feminista. Además, se estudia cómo ha cambiado Rosalía como artista desde su álbum El mal querer. Los resultados del análisis feminista muestran que el contenido sexual en las letras y los vídeos musicales puede verse tanto como sexista como liberación femenina, dependiendo de la teoría feminista que se defienda. El contenido sexual de Motomami, según el feminismo radical, tiende a ser visto como sexista, mientras que las teorías liberales sexuales lo ven como liberador. Queda claro que Rosalía como artista ha avanzado hacia una imagen cada vez más sexualizada; El feminismo está presente tanto en El mal querer como en Motomami, pero se expresan de diferentes maneras. El mal querer se basa en el feminismo radical, mientras que Motomami está impregnado de teorías feministas más sexualmente liberales. (Less)
Please use this url to cite or link to this publication:
http://lup.lub.lu.se/student-papers/record/9145713
- author
- Esbjörnsson, Ida LU
- supervisor
- organization
- course
- ÄSPD04 20232
- year
- 2024
- type
- M2 - Bachelor Degree
- subject
- keywords
- Contradicción, feminismo liberal sexual, feminismo radical, Motomami, postfeminismo, Rosalía, sexismo, subjetivación, transformación
- language
- Spanish
- id
- 9145713
- date added to LUP
- 2024-01-18 14:09:28
- date last changed
- 2024-01-18 14:09:28
@misc{9145713,
abstract = {{The purpose of this thesis is to propose some feminist tools to study possible sexism in the album Motomami (2022) by Rosalía. In order to achieve the purpose, the most controversial songs and music videos of the album are critically analyzed: “Saoko” and “Hentai”. Both textual and visual aspects are analyzed. The analysis itself is connected to feminist literature. Additionally, it studies how Rosalía has changed as an artist since her album El mal querer. The results of the feminist analysis show that sexual content in the lyrics and music videos can be seen as both sexist and female liberation, depending on the feminist theory defended. The sexual content of Motomami, according to radical feminism, tends to be seen as sexist, while liberal sexual theories see it as liberating. Rosalía as an artist has moved towards an increasingly sexualized image; Feminism is present in both El mal querer and Motomami, but they are expressed in different ways. El mal querer is based on radical feminism, while Motomami is permeated with more sexually liberal feminist theories.}},
author = {{Esbjörnsson, Ida}},
language = {{spa}},
note = {{Student Paper}},
title = {{¿Sexismo o liberación femenina? Un análisis feminista de dos canciones del álbum Motomami de Rosalía}},
year = {{2024}},
}