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- 2024
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Mark
Biases in Generative Artificial Intelligence: A visual semiotic analysis of AI Images
- Master (Two yrs)
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Mark
The Eco-Villains and the end of popcorn movies - A discussion on the perception of climate activism in films and in the general debate
- Master (Two yrs)
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Mark
Microplastics Aesthetics: A phenomenological approach to the (in)visibility of plastic waste
- Master (Two yrs)
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Mark
“It’s Both a Curse and a Blessing to be From Pori” - Visual Representations of the Local Identity in the City of Pori
- Master (Two yrs)
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Mark
Mneme of a Mermaid: A visual discourse analysis of mermaid agency and image types in the 1948 film Miranda.
- Master (Two yrs)
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Mark
Scanian Landscape Paintings–Identity and Historiography 1885–1915
- Master (Two yrs)
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Mark
Phygital Curation - Embodied Experiences
- Master (Two yrs)
- 2022
-
Mark
The dancing qualities of the cinematic space: a methodological experiment in order to perceive the motion picture as a dancing body.
- Master (Two yrs)
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Mark
Fiat lux: An analysis of light art through objecthood and embodied simulation, reflecting on the conceptuality and corporeality of the artistic medium
- Master (Two yrs)
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Mark
Making the Invisible Visible: A Study of Exoplanet Visualisation
- Master (Two yrs)