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- 2013
-
Mark
The Sincerity of Oscar Wilde’s Socialism
- Master (One yr)
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Mark
Mollifying the Masses: Obscuring Class and Alleviating Inequalities in Charles Dickens's David Copperfield, Great Expectations, and Little Dorrit
- Master (Two yrs)
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Mark
The New World and the Old: Class, Gender and Manners in Henry James' The Portrait of a Lady and Edith Wharton's The Age of Innocence
- Bach. Degree
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Mark
Wonder in London Below: A comparison of G. K. Chesterton's The Napoleon of Notting Hill and Neil Gaiman's Neverwhere
- Bach. Degree
-
Mark
Fairy Tale Narratives & Notions of Gender in Stephenie Meyer’s Twilight Saga and E. L. James’ Fifty Shades Trilogy
- Bach. Degree
- 2012
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Mark
Two Versions of Edward Rochester: Intertextuality in Jane Eyre by Charlotte Brontë and Wide Sargasso Sea by Jean Rhys
- Bach. Degree
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Mark
Shaping the Mythical Middle-earth: A Comparison between the Setting in J. R. R. Tolkien's The Fellowship of the Ring and the Film Adaptation by Peter Jackson
- Bach. Degree
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Mark
Reinventing the Exodus: Biblical Allusion and Jewish Parallels in William Nicholson's The Wind on Fire Trilogy
- Bach. Degree
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Mark
Views on Children, Childhood and Education in Jane Austen’s Emma
- Bach. Degree
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Mark
The Use of Allusions in William Faulkner's "The Sound and the Fury"
- Bach. Degree