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Vägen till Kriser och kransar : parodins grepp och driftens bilder hos Birger Sjöberg

Haettner Aurelius, Eva LU (2010)
Abstract
The study attempts to explain the rapid and significant changes in Birger Sjöbergs oeuvre, from the idyllic Fridas Bok 1922 and Kvartetten som sprängdes 1924 to the pioneering collection of poems Kriser och kransar 1926. Two types of explanation to this development is offered: the lyrical idiom i Kriser och kransar is a development of parodic devices in Fridas Bok. The theory behind this explanation is Tynjanov's theory of parody as the road to a new, modernistic expression.This parodic technique very often produces types of metaphors called domesticating metaphors. The other explanation is Sjöbergs great interest in psychoanalytical theory as it was presented in Poul Bjerres thinking. Bjerre introduced Freud to the swedish public. Bjerres... (More)
The study attempts to explain the rapid and significant changes in Birger Sjöbergs oeuvre, from the idyllic Fridas Bok 1922 and Kvartetten som sprängdes 1924 to the pioneering collection of poems Kriser och kransar 1926. Two types of explanation to this development is offered: the lyrical idiom i Kriser och kransar is a development of parodic devices in Fridas Bok. The theory behind this explanation is Tynjanov's theory of parody as the road to a new, modernistic expression.This parodic technique very often produces types of metaphors called domesticating metaphors. The other explanation is Sjöbergs great interest in psychoanalytical theory as it was presented in Poul Bjerres thinking. Bjerre introduced Freud to the swedish public. Bjerres ideas about a life-death cycle in the psyche, about dreams and art as healing factors, about the descent in the unconscious. to the borders of insanity as a prerequisite for an ascent into healthy creative states were expressed in the poems in Kriser och kransar. (Less)
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author
organization
publishing date
type
Book/Report
publication status
published
subject
keywords
Birger Sjöberg, parody, domesticating metaphors, Poul Bjerre, Kriser och kransar, psychoanalysis
pages
427 pages
publisher
Makadam förlag
ISBN
978-91-7061-074-5
language
Swedish
LU publication?
yes
id
cfae8ee5-d70b-46e7-a601-9d557c5c80f8 (old id 1608110)
date added to LUP
2016-04-04 12:11:23
date last changed
2018-11-21 21:09:30
@book{cfae8ee5-d70b-46e7-a601-9d557c5c80f8,
  abstract     = {{The study attempts to explain the rapid and significant changes in Birger Sjöbergs oeuvre, from the idyllic Fridas Bok 1922 and Kvartetten som sprängdes 1924 to the pioneering collection of poems Kriser och kransar 1926. Two types of explanation to this development is offered: the lyrical idiom i Kriser och kransar is a development of parodic devices in Fridas Bok. The theory behind this explanation is Tynjanov's theory of parody as the road to a new, modernistic expression.This parodic technique very often produces types of metaphors called domesticating metaphors. The other explanation is Sjöbergs great interest in psychoanalytical theory as it was presented in Poul Bjerres thinking. Bjerre introduced Freud to the swedish public. Bjerres ideas about a life-death cycle in the psyche, about dreams and art as healing factors, about the descent in the unconscious. to the borders of insanity as a prerequisite for an ascent into healthy creative states were expressed in the poems in Kriser och kransar.}},
  author       = {{Haettner Aurelius, Eva}},
  isbn         = {{978-91-7061-074-5}},
  keywords     = {{Birger Sjöberg; parody; domesticating metaphors; Poul Bjerre; Kriser och kransar; psychoanalysis}},
  language     = {{swe}},
  publisher    = {{Makadam förlag}},
  title        = {{Vägen till Kriser och kransar : parodins grepp och driftens bilder hos Birger Sjöberg}},
  year         = {{2010}},
}