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To be in Dialogue with the Film : With Neil Brand and Lillian Henley at the Masterclasses at Pordenone Silent Film Festival

Wallengren, Ann-Kristin LU (2016) In Today's Sounds for Yesterday's Films : Making Music for Silent Cinema p.192-215
Abstract
Since over ten years, the Pordenone Silent Film Festival hosts masterclasses in which renowned pianists every day teaches, discusses and play silent films together with two selected young pianists who in this way get an intensive week of training the art of accompanying films. The masterclasses are open to the participators of the festival, and in this article we become part of the audience in following some days of the masterclasses. The observations are coupled with interviews by one of the initiators of the masterclasses, Neil Brand, and one of the students this particular year, Lillian Henley, in a discussion about how to play to silent films today, and what this special art means to moderns audiences.
Please use this url to cite or link to this publication:
author
organization
publishing date
type
Chapter in Book/Report/Conference proceeding
publication status
published
subject
keywords
Pordenone Silent Film Festival, silent film Music, silent cinema
in
Today's Sounds for Yesterday's Films : Making Music for Silent Cinema
editor
Donnelly, Kevin J and Wallengren, Ann-Kristin
pages
192 - 215
publisher
Palgrave Macmillan
ISBN
9781137466358
1137466359
language
English
LU publication?
yes
id
8b24d78d-9152-40ab-8352-bead00917278 (old id 8598896)
date added to LUP
2016-02-05 08:04:33
date last changed
2016-09-05 13:51:54
@misc{8b24d78d-9152-40ab-8352-bead00917278,
  abstract     = {Since over ten years, the Pordenone Silent Film Festival hosts masterclasses in which renowned pianists every day teaches, discusses and play silent films together with two selected young pianists who in this way get an intensive week of training the art of accompanying films. The masterclasses are open to the participators of the festival, and in this article we become part of the audience in following some days of the masterclasses. The observations are coupled with interviews by one of the initiators of the masterclasses, Neil Brand, and one of the students this particular year, Lillian Henley, in a discussion about how to play to silent films today, and what this special art means to moderns audiences.},
  author       = {Wallengren, Ann-Kristin},
  editor       = {Donnelly, Kevin J and Wallengren, Ann-Kristin},
  isbn         = {9781137466358},
  keyword      = {Pordenone Silent Film Festival,silent film Music,silent cinema},
  language     = {eng},
  pages        = {192--215},
  publisher    = {ARRAY(0x9b5e590)},
  series       = {Today's Sounds for Yesterday's Films : Making Music for Silent Cinema},
  title        = {To be in Dialogue with the Film : With Neil Brand and Lillian Henley at the Masterclasses at Pordenone Silent Film Festival},
  year         = {2016},
}