Waldemar Zachrisson och idealboken : diskussionerna om den typografiska estetiken i Sverige 1893–1923
(2021) BBHK02 20202Division of Book History
- Abstract
- This essay examines the typographic discussions in Sweden around the turn of the 20th century. The focus lies on Gothenburg-based printer Waldemar Zachrisson, a driving force in these matters. The starting-point of the study is the industrialization of the printing in the 19th century, when printing changed from being a craft to being a largely mechanical process. Several voices from the turn of the 20th century criticized this development, and thought the loss of the craft in favor of a mechanical production meant a decline of the printing art; a decline that manifested itself in the mixing of styles, and in a general ignorance of what a well-made book ought to look like.
In Sweden, Waldemar Zachrisson was inspired by the English printer... (More) - This essay examines the typographic discussions in Sweden around the turn of the 20th century. The focus lies on Gothenburg-based printer Waldemar Zachrisson, a driving force in these matters. The starting-point of the study is the industrialization of the printing in the 19th century, when printing changed from being a craft to being a largely mechanical process. Several voices from the turn of the 20th century criticized this development, and thought the loss of the craft in favor of a mechanical production meant a decline of the printing art; a decline that manifested itself in the mixing of styles, and in a general ignorance of what a well-made book ought to look like.
In Sweden, Waldemar Zachrisson was inspired by the English printer William Morris, and introduced his work to the Swedish professional circles of printing. Between 1893 and 1923, typography and printing were discussed extensively in professional circles, and printers actively sought a typographic aesthetic relating to their time. Some central themes in the discussions emerge: the need for the development of a vocational school, the desire to print in a modern way, and the desire to develop a national style. The most animated discussions concern whether to start from the 16th century printing principles, or from its printing practice. The so-called “Initial battle” is an excellent example of this.
At the point in time which marks the end of this study, industrial practice in the profession had been accepted, but the importance of good aesthetics was emphasized. (Less)
Please use this url to cite or link to this publication:
http://lup.lub.lu.se/student-papers/record/9057648
- author
- Benjaminsson, Stefan LU
- supervisor
-
- Jonas Nordin LU
- organization
- course
- BBHK02 20202
- year
- 2021
- type
- M2 - Bachelor Degree
- subject
- keywords
- Arts- and Crafts, Book printing, Sweden, Typography, Waldemar Zachrisson, typografi, Sverige, boktryck
- language
- Swedish
- id
- 9057648
- date added to LUP
- 2021-07-02 08:11:23
- date last changed
- 2021-07-02 08:11:23
@misc{9057648, abstract = {{This essay examines the typographic discussions in Sweden around the turn of the 20th century. The focus lies on Gothenburg-based printer Waldemar Zachrisson, a driving force in these matters. The starting-point of the study is the industrialization of the printing in the 19th century, when printing changed from being a craft to being a largely mechanical process. Several voices from the turn of the 20th century criticized this development, and thought the loss of the craft in favor of a mechanical production meant a decline of the printing art; a decline that manifested itself in the mixing of styles, and in a general ignorance of what a well-made book ought to look like. In Sweden, Waldemar Zachrisson was inspired by the English printer William Morris, and introduced his work to the Swedish professional circles of printing. Between 1893 and 1923, typography and printing were discussed extensively in professional circles, and printers actively sought a typographic aesthetic relating to their time. Some central themes in the discussions emerge: the need for the development of a vocational school, the desire to print in a modern way, and the desire to develop a national style. The most animated discussions concern whether to start from the 16th century printing principles, or from its printing practice. The so-called “Initial battle” is an excellent example of this. At the point in time which marks the end of this study, industrial practice in the profession had been accepted, but the importance of good aesthetics was emphasized.}}, author = {{Benjaminsson, Stefan}}, language = {{swe}}, note = {{Student Paper}}, title = {{Waldemar Zachrisson och idealboken : diskussionerna om den typografiska estetiken i Sverige 1893–1923}}, year = {{2021}}, }