Atene Mendelyte (Former)
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- 2022
-
Mark
Creative and crime scene photography : staged patricide and matricide as screen memories in Aida Chehrehgosha’s To Mom, Dad and My Two Brothers
- Contribution to journal › Article
- 2018
-
Mark
The Mash-up of Aesthetics, Theory and Politics in Laibach's Meta-sound
(2018)
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2017
-
Mark
The Filmic Century/Centuries of the Mind : Tracing the Beginnings of the Subjective Cinema
(2017) p.78-90
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Structuralist Horror in Hollis Framptonʼs (nostalgia)
(2017) SCMS Chicago Conference 2017
- Contribution to conference › Paper, not in proceeding
-
Mark
Post-Deleuzian Investigations of U.S. Avant-Garde Film, 1943–81
(2017)
- Thesis › Doctoral thesis (monograph)
-
Mark
Performing the Chaosmos of the Self in Samuel Beckettʼs That Time
(2017) Critical Theory in the Humanities: Resonances of the Work of Judith Butler
- Contribution to conference › Paper, not in proceeding
-
Mark
The Still, Sad Music of Humanity in Doom Metal's Romanticizing Machine
- Contribution to journal › Article
- 2016
-
Mark
On Suffocation in the Silence of Things
- Contribution to journal › Article
-
Mark
The Intermedial and the Transmedial across Samuel Beckett's Artistic Practices
- Contribution to journal › Article
-
Mark
Mapping Film-World Relations to Reality : A New Conceptual Cartography
(2016) The Real of Reality
- Contribution to conference › Paper, not in proceeding