Creating (in) the Arctic : Investigating collaboration and location through a case study of the Arctic noir serial Thin Ice
Grønlund, Anders LU
(2022)
In Critical Studies in Television
18(2).
p.206-223
- Abstract
- The
Swedish/Icelandic coproduced serial Tunn is [Thin Ice] (2020) offers an
insight into current possibilities and challenges of production in the
Nordic Arctic region and the involvement of the developing Greenlandic
screen industry. By analysing both off- and on-screen elements through a
broad screen industry and location-driven approach, the explorative
case study illustrates both a region and a screen industry in
development as well as changing production practices. Furthermore, the
article highlights the perceived value of location and cultural
specificity in high-end TV drama from the multi-ethnic and multi-lingual
Arctic region.The Swedish/Icelandic coproduced serial Tunn... (More) - The
Swedish/Icelandic coproduced serial Tunn is [Thin Ice] (2020) offers an
insight into current possibilities and challenges of production in the
Nordic Arctic region and the involvement of the developing Greenlandic
screen industry. By analysing both off- and on-screen elements through a
broad screen industry and location-driven approach, the explorative
case study illustrates both a region and a screen industry in
development as well as changing production practices. Furthermore, the
article highlights the perceived value of location and cultural
specificity in high-end TV drama from the multi-ethnic and multi-lingual
Arctic region.The Swedish/Icelandic coproduced serial Tunn is [Thin Ice]
(2020) offers an insight into current possibilities and challenges of
production in the Nordic Arctic region and the involvement of the
developing Greenlandic screen industry. By analysing both off- and
on-screen elements through a broad screen industry and location-driven
approach, the explorative case study illustrates both a region and a
screen industry in development as well as changing production practices.
Furthermore, the article highlights the perceived value of location and
cultural specificity in high-end TV drama from the multi-ethnic and
multi-lingual Arctic region.The Swedish/Icelandic coproduced serial Tunn is [Thin Ice]
(2020) offers an insight into current possibilities and challenges of
production in the Nordic Arctic region and the involvement of the
developing Greenlandic screen industry. By analysing both off- and
on-screen elements through a broad screen industry and location-driven
approach, the explorative case study illustrates both a region and a
screen industry in development as well as changing production practices.
Furthermore, the article highlights the perceived value of location and
cultural specificity in high-end TV drama from the multi-ethnic and
multi-lingual Arctic region.The Swedish/Icelandic coproduced serial Tunn is [Thin Ice] (2020) offers an insight into current possibilities and challenges of production in the Nordic Arctic region and the involvement of the developing Greenlandic screen industry. By analysing both off- and on-screen elements through a broad screen industry and location-driven approach, the explorative case study illustrates both a region and a screen industry in development as well as changing production practices. Furthermore, the article highlights the perceived value of location and cultural specificity in high-end TV drama from the multi-ethnic and multi-lingual Arctic region.The Swedish/Icelandic coproduced serial Tunn is [Thin Ice] (2020) offers an insight into current possibilities and challenges of production in the Nordic Arctic region and the involvement of the developing Greenlandic screen industry. By analysing both off- and on-screen elements through a broad screen industry and location-driven approach, the explorative case study illustrates both a region and a screen industry in development as well as changing production practices. Furthermore, the article highlights the perceived value of location and cultural specificity in high-end TV drama from the multi-ethnic and multi-lingual Arctic region.The Swedish/Icelandic coproduced serial Tunn is [Thin Ice] (2020) offers an insight into current possibilities and challenges of production in the Nordic Arctic region and the involvement of the developing Greenlandic screen industry. By analysing both off- and on-screen elements through a broad screen industry and location-driven approach, the explorative case study illustrates both a region and a screen industry in development as well as changing production practices. Furthermore, the article highlights the perceived value of location and cultural specificity in high-end TV drama from the multi-ethnic and multi-lingual Arctic region. (Less)
Please use this url to cite or link to this publication:
https://lup.lub.lu.se/record/03404aae-2963-44ad-b68b-95f9e2576b07
- author
- Grønlund, Anders
LU
- publishing date
- 2022
- type
- Contribution to journal
- publication status
- published
- subject
- keywords
- Arctic, Coproduction, Greenland, location, television drama, Thin Ice
- in
- Critical Studies in Television
- volume
- 18
- issue
- 2
- pages
- 18 pages
- publisher
- SAGE Publications
- external identifiers
-
- scopus:85139907196
- ISSN
- 1749-6020
- DOI
- 10.1177/17496020221129969
- language
- English
- LU publication?
- no
- additional info
- Publisher Copyright: © The Author(s) 2022.
- id
- 03404aae-2963-44ad-b68b-95f9e2576b07
- date added to LUP
- 2024-04-02 11:59:22
- date last changed
- 2024-04-09 11:27:49
@article{03404aae-2963-44ad-b68b-95f9e2576b07,
abstract = {{The<br>
Swedish/Icelandic coproduced serial Tunn is [Thin Ice] (2020) offers an<br>
insight into current possibilities and challenges of production in the <br>
Nordic Arctic region and the involvement of the developing Greenlandic <br>
screen industry. By analysing both off- and on-screen elements through a<br>
broad screen industry and location-driven approach, the explorative <br>
case study illustrates both a region and a screen industry in <br>
development as well as changing production practices. Furthermore, the <br>
article highlights the perceived value of location and cultural <br>
specificity in high-end TV drama from the multi-ethnic and multi-lingual<br>
Arctic region.The Swedish/Icelandic coproduced serial <i>Tunn</i> <i>is</i> [<i>Thin Ice</i>]<br>
(2020) offers an insight into current possibilities and challenges of <br>
production in the Nordic Arctic region and the involvement of the <br>
developing Greenlandic screen industry. By analysing both off- and <br>
on-screen elements through a broad screen industry and location-driven <br>
approach, the explorative case study illustrates both a region and a <br>
screen industry in development as well as changing production practices.<br>
Furthermore, the article highlights the perceived value of location and<br>
cultural specificity in high-end TV drama from the multi-ethnic and <br>
multi-lingual Arctic region.The Swedish/Icelandic coproduced serial <i>Tunn</i> <i>is</i> [<i>Thin Ice</i>]<br>
(2020) offers an insight into current possibilities and challenges of <br>
production in the Nordic Arctic region and the involvement of the <br>
developing Greenlandic screen industry. By analysing both off- and <br>
on-screen elements through a broad screen industry and location-driven <br>
approach, the explorative case study illustrates both a region and a <br>
screen industry in development as well as changing production practices.<br>
Furthermore, the article highlights the perceived value of location and<br>
cultural specificity in high-end TV drama from the multi-ethnic and <br>
multi-lingual Arctic region.The Swedish/Icelandic coproduced serial Tunn is [Thin Ice] (2020) offers an insight into current possibilities and challenges of production in the Nordic Arctic region and the involvement of the developing Greenlandic screen industry. By analysing both off- and on-screen elements through a broad screen industry and location-driven approach, the explorative case study illustrates both a region and a screen industry in development as well as changing production practices. Furthermore, the article highlights the perceived value of location and cultural specificity in high-end TV drama from the multi-ethnic and multi-lingual Arctic region.The Swedish/Icelandic coproduced serial Tunn is [Thin Ice] (2020) offers an insight into current possibilities and challenges of production in the Nordic Arctic region and the involvement of the developing Greenlandic screen industry. By analysing both off- and on-screen elements through a broad screen industry and location-driven approach, the explorative case study illustrates both a region and a screen industry in development as well as changing production practices. Furthermore, the article highlights the perceived value of location and cultural specificity in high-end TV drama from the multi-ethnic and multi-lingual Arctic region.The Swedish/Icelandic coproduced serial Tunn is [Thin Ice] (2020) offers an insight into current possibilities and challenges of production in the Nordic Arctic region and the involvement of the developing Greenlandic screen industry. By analysing both off- and on-screen elements through a broad screen industry and location-driven approach, the explorative case study illustrates both a region and a screen industry in development as well as changing production practices. Furthermore, the article highlights the perceived value of location and cultural specificity in high-end TV drama from the multi-ethnic and multi-lingual Arctic region.}},
author = {{Grønlund, Anders}},
issn = {{1749-6020}},
keywords = {{Arctic; Coproduction; Greenland; location; television drama; Thin Ice}},
language = {{eng}},
number = {{2}},
pages = {{206--223}},
publisher = {{SAGE Publications}},
series = {{Critical Studies in Television}},
title = {{Creating (in) the Arctic : Investigating collaboration and location through a case study of the Arctic noir serial Thin Ice}},
url = {{http://dx.doi.org/10.1177/17496020221129969}},
doi = {{10.1177/17496020221129969}},
volume = {{18}},
year = {{2022}},
}