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Decontextualisation of Street Art

Bengtsen, Peter LU orcid (2019) p.41-52
Abstract
This chapter discusses the increasing tendency to remove street art from its original site for personal gain. It further explores whether/how copyright claims can be an effective means of preventing such extractions.
Please use this url to cite or link to this publication:
author
organization
publishing date
type
Chapter in Book/Report/Conference proceeding
publication status
published
subject
keywords
street art, street art studies, street art world, site-specific art, site-specificity, urban art, graffiti, urban creativity
host publication
The Cambridge Handbook of Copyright in Street Art and Graffiti
editor
Bonadio, Enrico
pages
12 pages
publisher
Cambridge University Press
external identifiers
  • scopus:85098447785
ISBN
9781108563581
project
The commercial status of street art (pilot study)
language
English
LU publication?
yes
id
0c8b968d-a326-413b-b784-e1adc7161e6e
date added to LUP
2018-02-26 18:25:48
date last changed
2022-04-25 05:54:49
@inbook{0c8b968d-a326-413b-b784-e1adc7161e6e,
  abstract     = {{This chapter discusses the increasing tendency to remove street art from its original site for personal gain. It further explores whether/how copyright claims can be an effective means of preventing such extractions.}},
  author       = {{Bengtsen, Peter}},
  booktitle    = {{The Cambridge Handbook of Copyright in Street Art and Graffiti}},
  editor       = {{Bonadio, Enrico}},
  isbn         = {{9781108563581}},
  keywords     = {{street art; street art studies; street art world; site-specific art; site-specificity; urban art; graffiti; urban creativity}},
  language     = {{eng}},
  pages        = {{41--52}},
  publisher    = {{Cambridge University Press}},
  title        = {{Decontextualisation of Street Art}},
  year         = {{2019}},
}