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New Music and Institutional Critique

Grüny, Christian and Farnsworth, Brandon LU orcid (2024) In Ästhetiken X.0 – Zeitgenössische Konturen ästhetischen Denkens
Abstract
While institutional critique has long been an important part of artistic practice and theoretical debate in the visual arts, it has long escaped attention in the field of music. This open access volume assembles for the first time an array of theoretical approaches and practical examples dealing with New Music’s institutions, their critique, and their transformations. For scholars, leaders, and practitioners alike, it offers an important overview of current developments as well as theoretical reflections about New Music and its institutions today. In this way, it provides a major contribution to the debate about the present and future of contemporary music.
Please use this url to cite or link to this publication:
editor
Grüny, Christian and LU orcid
organization
publishing date
type
Book/Report
publication status
published
subject
keywords
Institutional Critique, Contemporary Music, Festivals, New Music, Musical Production, Open Access
in
Ästhetiken X.0 – Zeitgenössische Konturen ästhetischen Denkens
pages
205 pages
publisher
Springer
ISSN
2662-1401
2662-1398
ISBN
978-3-662-67131-3
978-3-662-67130-6
DOI
10.1007/978-3-662-67131-3
project
Another Break with Tradition? Investigating Contemporary Music's Diversification through an Institutional Ethnography of the Borealis Festival in Bergen, Norway
language
English
LU publication?
yes
id
112224c6-2eaf-4197-8c3e-458119b84002
date added to LUP
2023-01-27 16:28:43
date last changed
2024-01-06 03:07:32
@book{112224c6-2eaf-4197-8c3e-458119b84002,
  abstract     = {{While institutional critique has long been an important part of artistic practice and theoretical debate in the visual arts, it has long escaped attention in the field of music. This open access volume assembles for the first time an array of theoretical approaches and practical examples dealing with New Music’s institutions, their critique, and their transformations. For scholars, leaders, and practitioners alike, it offers an important overview of current developments as well as theoretical reflections about New Music and its institutions today. In this way, it provides a major contribution to the debate about the present and future of contemporary music.}},
  editor       = {{Grüny, Christian and Farnsworth, Brandon}},
  isbn         = {{978-3-662-67131-3}},
  issn         = {{2662-1401}},
  keywords     = {{Institutional Critique; Contemporary Music; Festivals; New Music; Musical Production; Open Access}},
  language     = {{eng}},
  note         = {{Book Editor}},
  publisher    = {{Springer}},
  series       = {{Ästhetiken X.0 – Zeitgenössische Konturen ästhetischen Denkens}},
  title        = {{New Music and Institutional Critique}},
  url          = {{http://dx.doi.org/10.1007/978-3-662-67131-3}},
  doi          = {{10.1007/978-3-662-67131-3}},
  year         = {{2024}},
}