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Som at være der selv

Jönsson, Mats LU (2008) In Kosmorama 54(241). p.104-114
Abstract
Steven Spielberg's film Saving Private Ryan is at the centre of this text, with a particular focus on how it displays the past in ways that place the audience in the middle of the historical action. By looking at various technical breakthroughs predating this film, it is argued that what we here see is the beginning of a new kind of 360-degree historiography that nowadays dominates historical epics on the screen.
Please use this url to cite or link to this publication:
author
organization
publishing date
type
Contribution to journal
publication status
published
subject
keywords
Steven Spielberg, historiography, digital technique, Saving Private Ryan
in
Kosmorama
volume
54
issue
241
pages
104 - 114
publisher
Det Danske Filminstitut
ISSN
0023-4222
language
Danish
LU publication?
yes
id
fbd23b65-7749-431a-8969-2a9307feb6c5 (old id 1245520)
date added to LUP
2008-10-29 15:39:20
date last changed
2016-04-15 22:29:15
@article{fbd23b65-7749-431a-8969-2a9307feb6c5,
  abstract     = {Steven Spielberg's film Saving Private Ryan is at the centre of this text, with a particular focus on how it displays the past in ways that place the audience in the middle of the historical action. By looking at various technical breakthroughs predating this film, it is argued that what we here see is the beginning of a new kind of 360-degree historiography that nowadays dominates historical epics on the screen.},
  author       = {Jönsson, Mats},
  issn         = {0023-4222},
  keyword      = {Steven Spielberg,historiography,digital technique,Saving Private Ryan},
  language     = {dan},
  number       = {241},
  pages        = {104--114},
  publisher    = {Det Danske Filminstitut},
  series       = {Kosmorama},
  title        = {Som at være der selv},
  volume       = {54},
  year         = {2008},
}