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The Chora of God : Approaching the Outskirts of Mariology in the Akathistos

Arentzen, Thomas LU (2021) In Journal of Orthodox Christian Studies 4(2). p.127-149
Abstract
This article explores the more-than-human characterization of the Theotokos in the famous Akathistos Hymn. The Mother of God emerged as an intercessional figure in the Christian imagination during late antiquity, but the formative period of mariology is still partly uncharted territory to modern scholarship. Reflecting on its rich landscape imagery and chora language, the article argues that the Akathistos minimizes the human traits of the Theotokos, rendering her more as a spatial phenomenon. In the hymn, we may glimpse traces of Marian ideas less developed during subsequent periods, ideas which gesture toward what we may call a "dark mariology." The Logos incarnates into more than human flesh, and the womb has a close affinity with the... (More)
This article explores the more-than-human characterization of the Theotokos in the famous Akathistos Hymn. The Mother of God emerged as an intercessional figure in the Christian imagination during late antiquity, but the formative period of mariology is still partly uncharted territory to modern scholarship. Reflecting on its rich landscape imagery and chora language, the article argues that the Akathistos minimizes the human traits of the Theotokos, rendering her more as a spatial phenomenon. In the hymn, we may glimpse traces of Marian ideas less developed during subsequent periods, ideas which gesture toward what we may call a "dark mariology." The Logos incarnates into more than human flesh, and the womb has a close affinity with the landscape. The Akathistos evokes the vision of a wider nonhuman participation in the incarnation rooted in the natural landscape of the Theotokos. (Less)
Abstract (Swedish)
The article explores the more-than-human characterization of the Theotokos in the famous Akathistos Hymn. The Mother of God emerged as an intercessional figure in the Christian imagination during late antiquity, but the formative period of mariology is still partly uncharted territory to modern scholarship. Reflecting on its rich landscape imagery and chora language, the article argues that the Akathistos minimizes the human traits of the Theotokos, rendering her more as a spatial phenomenon. In the hymn, we may glimpse traces of Marian ideas less developed during subsequent periods, ideas which gesture toward what I call a "dark mariology." The Logos incarnates into more than human flesh, and the womb has a close affinity with the... (More)
The article explores the more-than-human characterization of the Theotokos in the famous Akathistos Hymn. The Mother of God emerged as an intercessional figure in the Christian imagination during late antiquity, but the formative period of mariology is still partly uncharted territory to modern scholarship. Reflecting on its rich landscape imagery and chora language, the article argues that the Akathistos minimizes the human traits of the Theotokos, rendering her more as a spatial phenomenon. In the hymn, we may glimpse traces of Marian ideas less developed during subsequent periods, ideas which gesture toward what I call a "dark mariology." The Logos incarnates into more than human flesh, and the womb has a close affinity with the landscape. The Akathistos evokes the vision of a wider nonhuman participation in the incarnation rooted in the natural landscape of the Theotokos. (Less)
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author
organization
publishing date
type
Contribution to journal
publication status
published
subject
keywords
Akathistos, deep incarnation, Ecocriticism, khora, chora, dark mariology, LANDSCAPE, dark mariology, Akathistos hymn, landscape, chora/khora, Ecocriticism, deep incarnation
in
Journal of Orthodox Christian Studies
volume
4
issue
2
pages
23 pages
publisher
Johns Hopkins University Press
ISSN
2574-4968
DOI
10.1353/joc.2021.0011
language
English
LU publication?
yes
id
1aa38a83-6069-4ff4-9603-2fa061473e65
date added to LUP
2022-04-22 17:29:46
date last changed
2022-04-25 13:43:43
@article{1aa38a83-6069-4ff4-9603-2fa061473e65,
  abstract     = {{This article explores the more-than-human characterization of the Theotokos in the famous Akathistos Hymn. The Mother of God emerged as an intercessional figure in the Christian imagination during late antiquity, but the formative period of mariology is still partly uncharted territory to modern scholarship. Reflecting on its rich landscape imagery and chora language, the article argues that the Akathistos minimizes the human traits of the Theotokos, rendering her more as a spatial phenomenon. In the hymn, we may glimpse traces of Marian ideas less developed during subsequent periods, ideas which gesture toward what we may call a "dark mariology." The Logos incarnates into more than human flesh, and the womb has a close affinity with the landscape. The Akathistos evokes the vision of a wider nonhuman participation in the incarnation rooted in the natural landscape of the Theotokos.}},
  author       = {{Arentzen, Thomas}},
  issn         = {{2574-4968}},
  keywords     = {{Akathistos; deep incarnation; Ecocriticism; khora; chora; dark mariology; LANDSCAPE; dark mariology; Akathistos hymn; landscape; chora/khora; Ecocriticism; deep incarnation}},
  language     = {{eng}},
  number       = {{2}},
  pages        = {{127--149}},
  publisher    = {{Johns Hopkins University Press}},
  series       = {{Journal of Orthodox Christian Studies}},
  title        = {{The Chora of God : Approaching the Outskirts of Mariology in the Akathistos}},
  url          = {{http://dx.doi.org/10.1353/joc.2021.0011}},
  doi          = {{10.1353/joc.2021.0011}},
  volume       = {{4}},
  year         = {{2021}},
}