Data duality : When artistic and scientific research overlap
(2026) In Reports from Inter Arts Center p.65-77- Abstract (Swedish)
- This chapter presents a case study of artistic data collection within a project at the intersection of opera, technology, and embodied cognition. The collaborative process in the research project First Person Singer provided an opportunity to examine how artistic and scientific practices can create shared spaces for mutual exchange. It demonstrates how a single dataset may simultaneously serve as a foundation for knowledge production across both artistic and scientific domains. The case further illustrates how researchers from artistic and scientific backgrounds can engage with collected data through subjective reflection, while also revealing distinct tendencies in their approaches to the artform explored. Specifically, the artform may be... (More)
- This chapter presents a case study of artistic data collection within a project at the intersection of opera, technology, and embodied cognition. The collaborative process in the research project First Person Singer provided an opportunity to examine how artistic and scientific practices can create shared spaces for mutual exchange. It demonstrates how a single dataset may simultaneously serve as a foundation for knowledge production across both artistic and scientific domains. The case further illustrates how researchers from artistic and scientific backgrounds can engage with collected data through subjective reflection, while also revealing distinct tendencies in their approaches to the artform explored. Specifically, the artform may be variously conceptualised as a product, a process, and a problem, highlighting differing epistemological orientations. The case shows how such artistic and scientific perspectives can coexist and contribute to collaborative inquiry based on shared data. (Less)
Please use this url to cite or link to this publication:
https://lup.lub.lu.se/record/208062f6-0195-4e21-9177-c1741f3485d8
- author
- Jalhed, Hedvig
LU
- organization
- publishing date
- 2026-05-26
- type
- Chapter in Book/Report/Conference proceeding
- publication status
- published
- subject
- keywords
- Intermodal research, Data collection, Operatic performance, Embodied cognition, Technology, Product, Process, Problem
- host publication
- Creative Data Lab
- series title
- Reports from Inter Arts Center
- editor
- Jalhed, Hedvig and Jonsson Malm, Carolina
- issue
- 2
- pages
- 65 - 77
- publisher
- Lund University, Inter Arts Center
- ISSN
- 3035-7586
- 3035-7586
- ISBN
- 978-91-88409-60-7
- 978-91-88409-61-4
- project
- Creative Data Lab
- First Person Singer – Pilot Study and Prototype
- language
- English
- LU publication?
- yes
- id
- 208062f6-0195-4e21-9177-c1741f3485d8
- alternative location
- https://www.iac.lu.se/sites/iac.lu.se/files/2026-05/Creative-Data-Lab-publication.pdf
- date added to LUP
- 2026-05-22 09:05:51
- date last changed
- 2026-05-25 07:19:23
@misc{208062f6-0195-4e21-9177-c1741f3485d8,
abstract = {{This chapter presents a case study of artistic data collection within a project at the intersection of opera, technology, and embodied cognition. The collaborative process in the research project First Person Singer provided an opportunity to examine how artistic and scientific practices can create shared spaces for mutual exchange. It demonstrates how a single dataset may simultaneously serve as a foundation for knowledge production across both artistic and scientific domains. The case further illustrates how researchers from artistic and scientific backgrounds can engage with collected data through subjective reflection, while also revealing distinct tendencies in their approaches to the artform explored. Specifically, the artform may be variously conceptualised as a product, a process, and a problem, highlighting differing epistemological orientations. The case shows how such artistic and scientific perspectives can coexist and contribute to collaborative inquiry based on shared data.}},
author = {{Jalhed, Hedvig}},
booktitle = {{Creative Data Lab}},
editor = {{Jalhed, Hedvig and Jonsson Malm, Carolina}},
isbn = {{978-91-88409-60-7}},
issn = {{3035-7586}},
keywords = {{Intermodal research; Data collection; Operatic performance; Embodied cognition; Technology; Product; Process; Problem}},
language = {{eng}},
month = {{05}},
number = {{2}},
pages = {{65--77}},
publisher = {{Lund University, Inter Arts Center}},
series = {{Reports from Inter Arts Center}},
title = {{Data duality : When artistic and scientific research overlap}},
url = {{https://lup.lub.lu.se/search/files/250872021/Jalhed-Data-Duality.pdf}},
year = {{2026}},
}