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Sur la syllepse narrative – Un concept théorique négligé

Lutas, Liviu LU (2012) In Poétique - revue de théorie et d'analyse littéraires 168. p.445-466
Abstract (Swedish)
I denna artikel tar jag upp ett berättargrepp, den narrativa syllepsen, som inte fått någon större uppmärksamhet i litteraturteorin hittills. Den narrativa syllepsen definierades först av den franske litteraturteoretikern Gérard Genette år 1972 som ett berättargrepp där olika temporaliteter smälter samman. Begreppet har dock inte använts i någon större utsträckning därefter, vilket jag anser vara förvånansvärt med tanke på att företeelsen är vanligt förekommande. I artikeln tar jag upp exempel från både litteratur och film för att visa begreppets tillämpbarhet, samtidigt som jag för ett teoretiskt resonemang.
Abstract
In this article I discuss a narrative device, the narrative syllepsis, which has not received much attention in literary theory until now. The narrative syllepsis was first defined by French literary theorist Gérard Genette as a narrative device where different temporalities merge. The concept has however not been used att a larger scale after Genette, something I find surprising taking into consideration the frequency of the phenomenon. In the article I use exemples from both literature and film in order to show the applicability of the concept, at the same time as I discuss it at a theoretical level.
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author
organization
publishing date
type
Contribution to journal
publication status
published
subject
keywords
Narrative syllepsis, narratology, Genette, Ramuz, Chamoiseau, Old Boy, post-classical narratology.
in
Poétique - revue de théorie et d'analyse littéraires
volume
168
pages
445 - 466
publisher
Seuil, Paris
external identifiers
  • other:2021040275
ISSN
1245-1274
language
French
LU publication?
yes
id
a466ccf8-d15c-4172-aa97-d993988c4ec2 (old id 2254932)
date added to LUP
2011-12-20 08:36:36
date last changed
2016-04-16 02:44:55
@article{a466ccf8-d15c-4172-aa97-d993988c4ec2,
  abstract     = {In this article I discuss a narrative device, the narrative syllepsis, which has not received much attention in literary theory until now. The narrative syllepsis was first defined by French literary theorist Gérard Genette as a narrative device where different temporalities merge. The concept has however not been used att a larger scale after Genette, something I find surprising taking into consideration the frequency of the phenomenon. In the article I use exemples from both literature and film in order to show the applicability of the concept, at the same time as I discuss it at a theoretical level.},
  author       = {Lutas, Liviu},
  issn         = {1245-1274},
  keyword      = {Narrative syllepsis,narratology,Genette,Ramuz,Chamoiseau,Old Boy,post-classical narratology.},
  language     = {fre},
  pages        = {445--466},
  publisher    = {Seuil, Paris},
  series       = {Poétique - revue de théorie et d'analyse littéraires},
  title        = {Sur la syllepse narrative – Un concept théorique négligé},
  volume       = {168},
  year         = {2012},
}