Sound Art Situations
Groth, Sanne Krogh LU
and Samson, Kristine
(2017)
In Organised Sound
22(1).
p.101-111
- Abstract
- This article is an analysis of two sound art performances that took place June 2015 in outdoor public spaces in the social housing area Urbanplanen in Copenhagen, Denmark. The two performances were On the production of a poor acoustics by Brandon LaBelle and Green Interactive Biofeedback Environments (GIBE) by Jeremy Woodruff. In order to investigate the complex situation that arises when sound art is staged in such contexts, the authors of this article suggest exploring the events through approaching them as ‘situations’ (Doherty 2009). With this approach it becomes possible to engage and combine theories from several fields. Aspects of sound art studies, performance studies and contemporary art studies are presented in order to... (More)
- This article is an analysis of two sound art performances that took place June 2015 in outdoor public spaces in the social housing area Urbanplanen in Copenhagen, Denmark. The two performances were On the production of a poor acoustics by Brandon LaBelle and Green Interactive Biofeedback Environments (GIBE) by Jeremy Woodruff. In order to investigate the complex situation that arises when sound art is staged in such contexts, the authors of this article suggest exploring the events through approaching them as ‘situations’ (Doherty 2009). With this approach it becomes possible to engage and combine theories from several fields. Aspects of sound art studies, performance studies and contemporary art studies are presented in order to theoretically explore the very diverse dimensions of the two sound art pieces: Visual, auditory, performative, social, spatial and durational dimensions become integrated within the analysis, pursuing the most comprehensive interpretation of the pieces possible. (Less)
Please use this url to cite or link to this publication:
https://lup.lub.lu.se/record/321196a8-b443-43fc-8ffa-b21503f5435f
- author
- Groth, Sanne Krogh
LU
and Samson, Kristine
- organization
- publishing date
- 2017-03-08
- type
- Contribution to journal
- publication status
- published
- subject
- in
- Organised Sound
- volume
- 22
- issue
- 1
- pages
- 19 pages
- publisher
- Cambridge University Press
- external identifiers
-
- scopus:85014652902
- wos:000398526500015
- ISSN
- 1355-7718
- DOI
- 10.1017/S1355771816000388
- language
- English
- LU publication?
- yes
- id
- 321196a8-b443-43fc-8ffa-b21503f5435f
- date added to LUP
- 2017-01-30 11:09:12
- date last changed
- 2024-01-04 21:44:35
@article{321196a8-b443-43fc-8ffa-b21503f5435f,
abstract = {{This article is an analysis of two sound art performances that took place June 2015 in outdoor public spaces in the social housing area Urbanplanen in Copenhagen, Denmark. The two performances were On the production of a poor acoustics by Brandon LaBelle and Green Interactive Biofeedback Environments (GIBE) by Jeremy Woodruff. In order to investigate the complex situation that arises when sound art is staged in such contexts, the authors of this article suggest exploring the events through approaching them as ‘situations’ (Doherty 2009). With this approach it becomes possible to engage and combine theories from several fields. Aspects of sound art studies, performance studies and contemporary art studies are presented in order to theoretically explore the very diverse dimensions of the two sound art pieces: Visual, auditory, performative, social, spatial and durational dimensions become integrated within the analysis, pursuing the most comprehensive interpretation of the pieces possible.}},
author = {{Groth, Sanne Krogh and Samson, Kristine}},
issn = {{1355-7718}},
language = {{eng}},
month = {{03}},
number = {{1}},
pages = {{101--111}},
publisher = {{Cambridge University Press}},
series = {{Organised Sound}},
title = {{Sound Art Situations}},
url = {{http://dx.doi.org/10.1017/S1355771816000388}},
doi = {{10.1017/S1355771816000388}},
volume = {{22}},
year = {{2017}},
}