Kostume-drevne performances : kostumers generative og performative potentialer

Abstract

This article suggest that costume-driven performances are a growing trend in international performing arts scene as well as in costume research. The article sheds light on international trends in the performing arts and research, offers an example of a costume-driven dance performance from the author’s practice and concludes with considerations about the field's visibility/potential in the Danish performing arts field.

• author: Østergaard, Charlotte
• organization: Teachers (Malmö Theatre Academy)
• alternative title: Costume-driven performances : costme's generative and performative potential
• publishing date: 2022-10-11
• type: Contribution to journal
• publication status: published
• subject: Performing Arts
• keywords: co-costuming, costume, Costumed perfomance, Costume design, co-creation processes, co-creation, material movement, material-discursive practice, artistic resaerch
• in: Peripeti: tidskrift for dramaturgiske studier
• volume: 19
• issue: 2022
• pages: 15 pages
• publisher: Aarhus University
• ISSN: 1604-0325
• DOI: 10.7146/peri.v19iSaernummer2.134021
• project: Crafting material bodies - exploring co-creative costume processes
• language: Danish
• LU publication?: yes
• additional info: Bauhaus Ballet: A Dance of Geometry, https://www.youtube.com/watch?v=oo_BLRSuz7s Barbieri, Donatella (2017), Costume in performance – materiality, culture, and the body, London, New York: Bloomsbury Academic Barbieri, Donatella & Pantouvaki, Sofia (2016), Towards a philosophy of costume, Studies in Costume & Performance, 1(1), s. 3–7. Costume Agency, critical costume conference (2020), https://costumeagency.com Costume Agency forskningsprojekt, https://costumeagency.khio.no Critical Costume https://www.criticalcostume.com Dean, Sally E. (2021), ‘Aware-Wearing’: A Somatic Costume Design Methodology for Performance, In Pantouvaki, S. & Peter McNeil, P. (Eds.), Performance Costume: New Perspectives and Methods (2021), Kindle edition: Bloomsbury Publishing, s. 229–244. Dillon B. (2014), Serpentine Dancer, Frieze Masters Art Fair, https://www.frieze.com/article/serpentine-dancer Haraway, D. (1988), Situated knowledge: the science question in feminism and the privilege if partial perspective, Feminist Studies, 14(3), p. 575¬–599. Karstens, Daphne (2021), PANG, https://www.daphnekarstens.com/pang Kaspersophie (2018), National Udstilling, https://www.kaspersophie.com/national-udstilling/ Kleida, Danae (2017), Cinematographic motion & Serpentine Dance – towards a media archaeology of modern dance, Junctions, 2(1), Graduate Journal of the Humanities, Utrecht University, s. 53-63. Marshall, Susan (2021), Insubordinate costume (phd thesis), Goldsmiths, University of London. Marshall, Susan (2020), Following the threads of scenographic costume at PQ19, Theatre and Performance Design, 6(1–2), s. 165–181. Monks, Aoife (2010), The actor in costume, Hampshire and New York: Palgrave Macmillian. Osmond Suzanne (2020) Fitting Threads: Embodied Conversations in the Costume Design Process, In (Eds.) Pantouvaki, P. & McNeil, P., Performance Costume: New Perspectives and Methods. Bloomsbury Publishing. Kindle Edition, p. 227–294. Pantouvaki, Sofia (2019), Extreme Costume: A conversation with Simona Rybáková, Studies in costume & performance, 4(1), s. 85–108. Pantouvaki, Sofia (2020), ‘Costume thinking’ as a strategy for critical thinking, Paper presentation at Critical Costume 2020 conference (online), https://costumeagency.com/project/sofia-pantouvaki/ Pantouvaki, Sofia & McNeil, Peter (2021), Introduction Activating Costume: A New Approach to Costume for Performance, In (Eds.) Pantouvaki, P. & McNeil, P., Performance Costume: New Perspectives and Methods, Kindle Edition: Bloomsbury Publishing, s. 1–4. Rostrup, Gøje (2019), Spetakelven, http://gojerostrup.dk/spektakelven-goje-rostrup-presents/ Sanders, E.B.-N., (2014), Co-designing can seed the landscape for radical innovation and sustainable change. In Christensen, P.R. & Junginger, S. (Eds.), The Highways and Byways to Radical Innovation – Design Perspectives, s. 131–150. Studies in Costume & Performance, https://www.intellectbooks.com/studies-in-costume-performance Smith, Lorraine (2018), The costumographer: Revolutions in performance pedagogy, Studies in Costume & Performance, 3(2), s 179–196. ‘Taboo collection’, https://catwalkconcert.com Tanggard, L. (2013), The sociomateriality of creativity in everyday life, Culture & Psychology, 19(1), s. 20–32. Trimingham, Melissa (2017), Agency and empathy: artists touch the body, Costume in performance – materiality, culture, and the body, Bloomsbury Academic, s. 137–166. Østergaard, C. (2018), MASK: dialogue between an inside and an outside perspective of costume, Studies in Costume & Performance, 3(1), s. 61–80. Østergaard, C. (2020-2024) forskningsprojekt: Crafting material bodies – radical co-creation in the field of costume design, https://portal.research.lu.se/sv/persons/charlotte-østergaard
• id: 40003408-2df4-43dc-8e3e-d98734ff61dd
• date added to LUP: 2022-11-22 15:37:43
• date last changed: 2022-12-01 08:57:30