Deep Situated Listening Among Hearing Heads and Affective Bodies
Groth, Sanne Krogh LU
(2022)
p.51-64
- Abstract
- This chapter argues for a new listening practice for electroacoustic music (EAM) that I call “deep situated listening”. “Deep situated listening” builds on existing EAM-theories, aesthetics and practices – which I here collectively refer to as the “hearing heads” approach – but extends this approach by adding an explicitly feminist perspective. “Deep situated listening” combines Donna Haraway’s notion of “situated knowledge” with Pauline Oliveros’ concept of “deep listening”. In order to relate this to the EAM concert situation, I define the concert event as a “plane of immanence” constituted by “affective bodies” (as defined by Gilles Deleuze) that are perceived in time as as dynamic. In line with feminist thinking, my conceptualization... (More)
- This chapter argues for a new listening practice for electroacoustic music (EAM) that I call “deep situated listening”. “Deep situated listening” builds on existing EAM-theories, aesthetics and practices – which I here collectively refer to as the “hearing heads” approach – but extends this approach by adding an explicitly feminist perspective. “Deep situated listening” combines Donna Haraway’s notion of “situated knowledge” with Pauline Oliveros’ concept of “deep listening”. In order to relate this to the EAM concert situation, I define the concert event as a “plane of immanence” constituted by “affective bodies” (as defined by Gilles Deleuze) that are perceived in time as as dynamic. In line with feminist thinking, my conceptualization is developed in dialogue with the empirical material I present: two EAM concerts experienced in Tillburg, Holland in 2018 and New York City in 2011 as well as an interview with Pauline Oliveros. The chapter seeks therefore to contribute not only to an extension of existing listening paradigms, but also to the development a new methodological approach within the field of EAM-studies. (Less)
Please use this url to cite or link to this publication:
https://lup.lub.lu.se/record/46707890-8e53-4786-a0fc-571cc9a23f39
- author
- Groth, Sanne Krogh
LU
- organization
- publishing date
- 2022-07-20
- type
- Chapter in Book/Report/Conference proceeding
- publication status
- published
- subject
- keywords
- Listener, deep situated listening, bodily listening, affect, situated listening, Pauline Oliveros, Donna Haraway
- host publication
- The Body in Sound, Music and Performance : Studies in Audio and Sonic Arts - Studies in Audio and Sonic Arts
- editor
- O'Keeffe, Linda and Nogueira, Isabel
- edition
- 1st
- pages
- 14 pages
- publisher
- Routledge
- external identifiers
-
- scopus:85136547508
- ISBN
- 9780367441944
- 9780367441951
- 9781003008217
- DOI
- 10.4324/9781003008217-7
- language
- English
- LU publication?
- yes
- id
- 46707890-8e53-4786-a0fc-571cc9a23f39
- date added to LUP
- 2021-01-11 12:37:52
- date last changed
- 2024-12-13 05:38:43
@inbook{46707890-8e53-4786-a0fc-571cc9a23f39,
abstract = {{This chapter argues for a new listening practice for electroacoustic music (EAM) that I call “deep situated listening”. “Deep situated listening” builds on existing EAM-theories, aesthetics and practices – which I here collectively refer to as the “hearing heads” approach – but extends this approach by adding an explicitly feminist perspective. “Deep situated listening” combines Donna Haraway’s notion of “situated knowledge” with Pauline Oliveros’ concept of “deep listening”. In order to relate this to the EAM concert situation, I define the concert event as a “plane of immanence” constituted by “affective bodies” (as defined by Gilles Deleuze) that are perceived in time as as dynamic. In line with feminist thinking, my conceptualization is developed in dialogue with the empirical material I present: two EAM concerts experienced in Tillburg, Holland in 2018 and New York City in 2011 as well as an interview with Pauline Oliveros. The chapter seeks therefore to contribute not only to an extension of existing listening paradigms, but also to the development a new methodological approach within the field of EAM-studies.}},
author = {{Groth, Sanne Krogh}},
booktitle = {{The Body in Sound, Music and Performance : Studies in Audio and Sonic Arts}},
editor = {{O'Keeffe, Linda and Nogueira, Isabel}},
isbn = {{9780367441944}},
keywords = {{Listener; deep situated listening; bodily listening; affect; situated listening; Pauline Oliveros; Donna Haraway}},
language = {{eng}},
month = {{07}},
pages = {{51--64}},
publisher = {{Routledge}},
title = {{Deep Situated Listening Among Hearing Heads and Affective Bodies}},
url = {{http://dx.doi.org/10.4324/9781003008217-7}},
doi = {{10.4324/9781003008217-7}},
year = {{2022}},
}