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No Trace of Accelerator

Wardill, Emily LU (2017)
Abstract

No Trace of Accelerator takes as its starting point the mysterious incident of a series of apparently spontaneous fires that broke out in an isolated French town in the mid-1990s. The cause of the fires remained unexplained for some months, a period when all kinds of fear, panic and superstition gripped the small community. The fires were eventually explained, but the reaction of the towns-people became the subject of a case study into the social amplification of risk, written by anthropologists Marc Poumadere and Claire Mays.

Drawing on her own research into the events—Wardill uses the figure of fire itself as a way to explore the physical, psychological and narrative implications of trying to "model" entities, energies or... (More)

No Trace of Accelerator takes as its starting point the mysterious incident of a series of apparently spontaneous fires that broke out in an isolated French town in the mid-1990s. The cause of the fires remained unexplained for some months, a period when all kinds of fear, panic and superstition gripped the small community. The fires were eventually explained, but the reaction of the towns-people became the subject of a case study into the social amplification of risk, written by anthropologists Marc Poumadere and Claire Mays.

Drawing on her own research into the events—Wardill uses the figure of fire itself as a way to explore the physical, psychological and narrative implications of trying to "model" entities, energies or objects that are in constant flux. Filmed on a series of constructed, stylised sets with a cast of archetypal characters loosely based on the real protagonists, Wardill introduces the idea of fire as a chaotic and unpredictable object—a metaphor for various conditions of fear, instability, uncertainty, and horror.
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author
organization
publishing date
type
Non-textual form
publication status
published
subject
language
English
LU publication?
yes
id
4dd2e34f-91ad-4120-a7f7-0b8415e29509
date added to LUP
2017-05-20 17:49:40
date last changed
2017-05-22 09:29:18
@misc{4dd2e34f-91ad-4120-a7f7-0b8415e29509,
  abstract     = {<br/>No Trace of Accelerator takes as its starting point the mysterious incident of a series of apparently spontaneous fires that broke out in an isolated French town in the mid-1990s. The cause of the fires remained unexplained for some months, a period when all kinds of fear, panic and superstition gripped the small community. The fires were eventually explained, but the reaction of the towns-people became the subject of a case study into the social amplification of risk, written by anthropologists Marc Poumadere and Claire Mays.<br/><br/>Drawing on her own research into the events—Wardill uses the figure of fire itself as a way to explore the physical, psychological and narrative implications of trying to "model" entities, energies or objects that are in constant flux. Filmed on a series of constructed, stylised sets with a cast of archetypal characters loosely based on the real protagonists, Wardill introduces the idea of fire as a chaotic and unpredictable object—a metaphor for various conditions of fear, instability, uncertainty, and horror.<br/>},
  author       = {Wardill, Emily},
  language     = {eng},
  title        = {No Trace of Accelerator},
  year         = {2017},
}