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How the World Stage Makes Its Subjects: An Embodied Critique of Constructivist IR Theory

Ringmar, Erik LU (2016) In Journal of International Relations and Development 19(1). p.101-125
Please use this url to cite or link to this publication:
author
organization
publishing date
type
Contribution to journal
publication status
published
subject
keywords
practices, post-structuralism, performativity, performances, neuroscience, constructivism, cognitive theory
in
Journal of International Relations and Development
volume
19
issue
1
pages
101 - 125
publisher
Palgrave Macmillan
external identifiers
  • wos:000367635000005
  • scopus:84951762415
ISSN
1581-1980
DOI
10.1057/jird.2015.33
language
English
LU publication?
yes
id
f632658a-cd34-4df8-878a-97d08a4104d7 (old id 7857868)
alternative location
https://www.academia.edu/11498798/How_the_World_Stage_Makes_Its_Subjects_An_Embodied_Critique_of_Constructivist_IR_Theory
date added to LUP
2015-09-08 15:31:15
date last changed
2017-08-20 03:20:43
@article{f632658a-cd34-4df8-878a-97d08a4104d7,
  author       = {Ringmar, Erik},
  issn         = {1581-1980},
  keyword      = {practices,post-structuralism,performativity,performances,neuroscience,constructivism,cognitive theory},
  language     = {eng},
  number       = {1},
  pages        = {101--125},
  publisher    = {Palgrave Macmillan},
  series       = {Journal of International Relations and Development},
  title        = {How the World Stage Makes Its Subjects: An Embodied Critique of Constructivist IR Theory},
  url          = {http://dx.doi.org/10.1057/jird.2015.33},
  volume       = {19},
  year         = {2016},
}