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How the World Stage Makes Its Subjects: An Embodied Critique of Constructivist IR Theory

Ringmar, Erik LU (2016) In Journal of International Relations and Development 19(1). p.101-125
Please use this url to cite or link to this publication:
author
organization
publishing date
type
Contribution to journal
publication status
published
subject
keywords
practices, post-structuralism, performativity, performances, neuroscience, constructivism, cognitive theory
in
Journal of International Relations and Development
volume
19
issue
1
pages
101 - 125
publisher
Palgrave Macmillan
external identifiers
  • wos:000367635000005
  • scopus:84951762415
ISSN
1581-1980
DOI
10.1057/jird.2015.33
language
English
LU publication?
yes
id
f632658a-cd34-4df8-878a-97d08a4104d7 (old id 7857868)
alternative location
https://www.academia.edu/11498798/How_the_World_Stage_Makes_Its_Subjects_An_Embodied_Critique_of_Constructivist_IR_Theory
date added to LUP
2016-04-01 10:51:19
date last changed
2022-04-28 01:56:46
@article{f632658a-cd34-4df8-878a-97d08a4104d7,
  author       = {{Ringmar, Erik}},
  issn         = {{1581-1980}},
  keywords     = {{practices; post-structuralism; performativity; performances; neuroscience; constructivism; cognitive theory}},
  language     = {{eng}},
  number       = {{1}},
  pages        = {{101--125}},
  publisher    = {{Palgrave Macmillan}},
  series       = {{Journal of International Relations and Development}},
  title        = {{How the World Stage Makes Its Subjects: An Embodied Critique of Constructivist IR Theory}},
  url          = {{http://dx.doi.org/10.1057/jird.2015.33}},
  doi          = {{10.1057/jird.2015.33}},
  volume       = {{19}},
  year         = {{2016}},
}