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Landscape Theology : Exploring the Outfields of the Telemarkian Dream Song

Arentzen, Thomas LU (2020) In Landscapes: The Journal of the International Centre for Landscape and Language 10(1).
Abstract
The article explores the Norwegian ‘national ballad’ Draumkvæde (the Dream Song) in Maren Ramskeid’s version. This work has traditionally been interpreted as a folklore adaptation of medieval visionary literature such as the Vision of Tundale, related to Dante Alighieri’s Divine Comedy. The ballad, however, lacks demons and devils and infernal torture – it is even almost completely devoid of human beings. Instead it tells of a corporeal encounter with an imagined natural landscape. This dreamscape of the song is intimately intertwined with the local terrain of the singer. Maren Ramskeid engaged her own landscape in Telemark, the article argues, to decentre the canonized Christian text and the cultivated Christian building. Speaking an oral... (More)
The article explores the Norwegian ‘national ballad’ Draumkvæde (the Dream Song) in Maren Ramskeid’s version. This work has traditionally been interpreted as a folklore adaptation of medieval visionary literature such as the Vision of Tundale, related to Dante Alighieri’s Divine Comedy. The ballad, however, lacks demons and devils and infernal torture – it is even almost completely devoid of human beings. Instead it tells of a corporeal encounter with an imagined natural landscape. This dreamscape of the song is intimately intertwined with the local terrain of the singer. Maren Ramskeid engaged her own landscape in Telemark, the article argues, to decentre the canonized Christian text and the cultivated Christian building. Speaking an oral outdoor theology, she destabilized the heaven–hell dualism and envisioned a mythological landscape where nature turns dangerously and painfully on those who do not abide by its unwritten norms, but where all are eventually saved by a final judgement in a place called Broksvalin. (Less)
Abstract (Swedish)
The article explores the Norwegian ‘national ballad’ Draumkvæde (the Dream Song) in Maren Ramskeid’s version. This work has traditionally been interpreted as a folklore adaptation of medieval visionary literature such as the Vision of Tundale, related to Dante Alighieri’s Divine Comedy. The ballad, however, lacks demons and devils and infernal torture – it is even almost completely devoid of human beings. Instead it tells of a corporeal encounter with an imagined natural landscape. This dreamscape of the song is intimately intertwined with the local terrain of the singer. Maren Ramskeid engaged her own landscape in Telemark, the article argues, to decentre the canonized Christian text and the cultivated Christian building. Speaking an oral... (More)
The article explores the Norwegian ‘national ballad’ Draumkvæde (the Dream Song) in Maren Ramskeid’s version. This work has traditionally been interpreted as a folklore adaptation of medieval visionary literature such as the Vision of Tundale, related to Dante Alighieri’s Divine Comedy. The ballad, however, lacks demons and devils and infernal torture – it is even almost completely devoid of human beings. Instead it tells of a corporeal encounter with an imagined natural landscape. This dreamscape of the song is intimately intertwined with the local terrain of the singer. Maren Ramskeid engaged her own landscape in Telemark, the article argues, to decentre the canonized Christian text and the cultivated Christian building. Speaking an oral outdoor theology, she destabilized the heaven–hell dualism and envisioned a mythological landscape where nature turns dangerously and painfully on those who do not abide by its unwritten norms, but where all are eventually saved by a final judgement in a place called Broksvalin.
(Less)
Please use this url to cite or link to this publication:
author
publishing date
type
Contribution to journal
publication status
published
subject
keywords
draumkvæde, draumkvedet, Maren Ramskeid, landscapes, placemaking, Christian theology, Folklore, Norwegian literature, visionary poetry
in
Landscapes: The Journal of the International Centre for Landscape and Language
volume
10
issue
1
article number
3
pages
29 pages
ISSN
1448-0778
language
English
LU publication?
no
id
7c75288d-7646-4b2a-b531-1a44717bad45
alternative location
https://ro.ecu.edu.au/landscapes/vol10/iss1/3/
date added to LUP
2021-01-07 17:23:49
date last changed
2021-01-08 14:50:33
@article{7c75288d-7646-4b2a-b531-1a44717bad45,
  abstract     = {{The article explores the Norwegian ‘national ballad’ Draumkvæde (the Dream Song) in Maren Ramskeid’s version. This work has traditionally been interpreted as a folklore adaptation of medieval visionary literature such as the Vision of Tundale, related to Dante Alighieri’s Divine Comedy. The ballad, however, lacks demons and devils and infernal torture – it is even almost completely devoid of human beings. Instead it tells of a corporeal encounter with an imagined natural landscape. This dreamscape of the song is intimately intertwined with the local terrain of the singer. Maren Ramskeid engaged her own landscape in Telemark, the article argues, to decentre the canonized Christian text and the cultivated Christian building. Speaking an oral outdoor theology, she destabilized the heaven–hell dualism and envisioned a mythological landscape where nature turns dangerously and painfully on those who do not abide by its unwritten norms, but where all are eventually saved by a final judgement in a place called Broksvalin.}},
  author       = {{Arentzen, Thomas}},
  issn         = {{1448-0778}},
  keywords     = {{draumkvæde; draumkvedet; Maren Ramskeid; landscapes; placemaking; Christian theology; Folklore; Norwegian literature; visionary poetry}},
  language     = {{eng}},
  number       = {{1}},
  series       = {{Landscapes: The Journal of the International Centre for Landscape and Language}},
  title        = {{Landscape Theology : Exploring the Outfields of the Telemarkian Dream Song}},
  url          = {{https://lup.lub.lu.se/search/files/89679065/Arentzen_Landscape_Theology.pdf}},
  volume       = {{10}},
  year         = {{2020}},
}