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"Celelalte lumi" ale lui Eugen Curta sau labirintul metalepselor narative

Bagiu, Lucian LU (2015) Sesiunea Stiintifica Internationala Dialogul culturilor între tradiţie şi modernitate Ediţia a XVII-a In Annales Universitatis Apulensis. Series Philologica 16(1). p.319-327
Abstract
The author proves a very good knowledge of the most subtle and diverse narrative methods up to the point of suspecting him of affectedness in writing: he seems to enjoy drawing up the most fanciful frameworks of a novel’s design. Each new fragment is being narrated from a certain character’s point of view, the abundant prospects achieving the equivocation of the whole story up to the absurd. Some of the initial doubtless information will come to be uncertain. The author’s voice is hanging over, self-centred, narcissist; a character itself insinuating to indulge in the part of puppeteer of all. The narrator recounts – to us or to him, an unsolved issue – using first person, as if in a liberating confession, seemingly banal deeds of his... (More)
The author proves a very good knowledge of the most subtle and diverse narrative methods up to the point of suspecting him of affectedness in writing: he seems to enjoy drawing up the most fanciful frameworks of a novel’s design. Each new fragment is being narrated from a certain character’s point of view, the abundant prospects achieving the equivocation of the whole story up to the absurd. Some of the initial doubtless information will come to be uncertain. The author’s voice is hanging over, self-centred, narcissist; a character itself insinuating to indulge in the part of puppeteer of all. The narrator recounts – to us or to him, an unsolved issue – using first person, as if in a liberating confession, seemingly banal deeds of his rather dull and washed-out existence. Reading through the lines we distinguish however the condition of the author expounding his project to write the novel in the making. The author narrator devises compensatory the other worlds of his novel. They are fictitious worlds where he can unburden and where he can ultimately evade to, in order to live thoroughly, untroubled the illusions, the Utopias, the small or big conceitedness or vanities. The narrator proposes, for himself the bookish perception of existence, living the reality according to certain unreal, fictitious experiences. (Less)
Please use this url to cite or link to this publication:
author
organization
alternative title
"The Other Worlds" of Eugen Curta or the labyrinth of the narrative metalepsis
publishing date
type
Contribution to journal
publication status
published
subject
keywords
uncertainty, prospect, narratology, fictitious, ambiguity
in
Annales Universitatis Apulensis. Series Philologica
volume
16
issue
1
pages
9 pages
publisher
Universitatea "1 Decembrie 1918" Alba Iulia
conference name
Sesiunea Stiintifica Internationala Dialogul culturilor între tradiţie şi modernitate Ediţia a XVII-a
conference location
Alba Iulia, Romania
conference dates
2015-06-12 - 2015-06-13
ISSN
1582-5523
language
Romanian
LU publication?
yes
additional info
BETEG, Miron, Tentațiile povestirii clasice, în „Familia", nr. 2/1994 GHINEA, Nicoleta, Arta imprevizibilului, în „Romania literara", nr. 10/2000 GHINEA, Nicoleta, Varianta și în variante, în „Romania literara", nr. 19/1993 IONESCU AI. Th., Viața personajelor secundare, în „Calende", nr. 2/1994 MORARU, Cornel, La persoana IV plural, în „Vatra", nr. 10/1992 SIMUȚ, Ion, Cum sa reîntemeiem dragostea?, în „România literară", nr. 10/1992
id
3ba0ab42-e920-421f-af18-36ea2cf98d71 (old id 8231947)
alternative location
https://www.ceeol.com/search/article-detail?id=409747
date added to LUP
2016-04-01 13:24:28
date last changed
2018-11-21 20:15:47
@article{3ba0ab42-e920-421f-af18-36ea2cf98d71,
  abstract     = {{The author proves a very good knowledge of the most subtle and diverse narrative methods up to the point of suspecting him of affectedness in writing: he seems to enjoy drawing up the most fanciful frameworks of a novel’s design. Each new fragment is being narrated from a certain character’s point of view, the abundant prospects achieving the equivocation of the whole story up to the absurd. Some of the initial doubtless information will come to be uncertain. The author’s voice is hanging over, self-centred, narcissist; a character itself insinuating to indulge in the part of puppeteer of all. The narrator recounts – to us or to him, an unsolved issue – using first person, as if in a liberating confession, seemingly banal deeds of his rather dull and washed-out existence. Reading through the lines we distinguish however the condition of the author expounding his project to write the novel in the making. The author narrator devises compensatory the other worlds of his novel. They are fictitious worlds where he can unburden and where he can ultimately evade to, in order to live thoroughly, untroubled the illusions, the Utopias, the small or big conceitedness or vanities. The narrator proposes, for himself the bookish perception of existence, living the reality according to certain unreal, fictitious experiences.}},
  author       = {{Bagiu, Lucian}},
  issn         = {{1582-5523}},
  keywords     = {{uncertainty; prospect; narratology; fictitious; ambiguity}},
  language     = {{rum}},
  number       = {{1}},
  pages        = {{319--327}},
  publisher    = {{Universitatea "1 Decembrie 1918" Alba Iulia}},
  series       = {{Annales Universitatis Apulensis. Series Philologica}},
  title        = {{"Celelalte lumi" ale lui Eugen Curta sau labirintul metalepselor narative}},
  url          = {{https://lup.lub.lu.se/search/files/11916876/Eugen_Curta_Celelelalte_lumi.pdf}},
  volume       = {{16}},
  year         = {{2015}},
}