To be in Dialogue with the Film : With Neil Brand and Lillian Henley at the Masterclasses at Pordenone Silent Film Festival
(2016) p.192-215- Abstract
- Since over ten years, the Pordenone Silent Film Festival hosts masterclasses in which renowned pianists every day teaches, discusses and play silent films together with two selected young pianists who in this way get an intensive week of training the art of accompanying films. The masterclasses are open to the participators of the festival, and in this article we become part of the audience in following some days of the masterclasses. The observations are coupled with interviews by one of the initiators of the masterclasses, Neil Brand, and one of the students this particular year, Lillian Henley, in a discussion about how to play to silent films today, and what this special art means to moderns audiences.
Please use this url to cite or link to this publication:
https://lup.lub.lu.se/record/8598896
- author
- Wallengren, Ann-Kristin LU
- organization
- publishing date
- 2016
- type
- Chapter in Book/Report/Conference proceeding
- publication status
- published
- subject
- keywords
- Pordenone Silent Film Festival, silent film Music, silent cinema
- host publication
- Today's Sounds for Yesterday's Films : Making Music for Silent Cinema
- editor
- Donnelly, Kevin J and Wallengren, Ann-Kristin
- pages
- 192 - 215
- publisher
- Palgrave Macmillan
- ISBN
- 9781137466358
- 1137466359
- project
- Film music
- language
- English
- LU publication?
- yes
- id
- 8b24d78d-9152-40ab-8352-bead00917278 (old id 8598896)
- date added to LUP
- 2016-04-04 10:44:54
- date last changed
- 2025-04-04 13:54:57
@inbook{8b24d78d-9152-40ab-8352-bead00917278, abstract = {{Since over ten years, the Pordenone Silent Film Festival hosts masterclasses in which renowned pianists every day teaches, discusses and play silent films together with two selected young pianists who in this way get an intensive week of training the art of accompanying films. The masterclasses are open to the participators of the festival, and in this article we become part of the audience in following some days of the masterclasses. The observations are coupled with interviews by one of the initiators of the masterclasses, Neil Brand, and one of the students this particular year, Lillian Henley, in a discussion about how to play to silent films today, and what this special art means to moderns audiences.}}, author = {{Wallengren, Ann-Kristin}}, booktitle = {{Today's Sounds for Yesterday's Films : Making Music for Silent Cinema}}, editor = {{Donnelly, Kevin J and Wallengren, Ann-Kristin}}, isbn = {{9781137466358}}, keywords = {{Pordenone Silent Film Festival; silent film Music; silent cinema}}, language = {{eng}}, pages = {{192--215}}, publisher = {{Palgrave Macmillan}}, title = {{To be in Dialogue with the Film : With Neil Brand and Lillian Henley at the Masterclasses at Pordenone Silent Film Festival}}, year = {{2016}}, }