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La sceneggiatura teatrale inedita di “La Virtù di Checchina” : Discorso indiretto libero e modo iterativo nel transfer intermediale

Killander Cariboni, Carla LU (2017) In Revue Romane 52(2). p.283-301
Abstract (Swedish)
Thisarticle deals with a comparison between Matilde Serao’s short story“Checchina’s Virtue” (1884) and the homonymous unpublished theatrical scriptwritten by Massimo Franciosa (1995), of which a summary is provided. Thecomparison between the source text and the adaptation draws on the debate aboutthe narrativity of drama in which many scholars have engaged in the lastdecades: Richardson (1987), Chatman (1990), Jahn (2001), Fludernik (2008) and Nünning & Sommer (2008). The analysis focuses on two forms of diegeticnarrativity that appear in the short story, i. e. free indirect discourse andthe iterative mode, in order to see how the theatrical script deals with them.The analysis shows that the script preserves the narrative contents of... (More)
Thisarticle deals with a comparison between Matilde Serao’s short story“Checchina’s Virtue” (1884) and the homonymous unpublished theatrical scriptwritten by Massimo Franciosa (1995), of which a summary is provided. Thecomparison between the source text and the adaptation draws on the debate aboutthe narrativity of drama in which many scholars have engaged in the lastdecades: Richardson (1987), Chatman (1990), Jahn (2001), Fludernik (2008) and Nünning & Sommer (2008). The analysis focuses on two forms of diegeticnarrativity that appear in the short story, i. e. free indirect discourse andthe iterative mode, in order to see how the theatrical script deals with them.The analysis shows that the script preserves the narrative contents of thesource text and highlights how diegetic and mimetic narrativity collaborate tothe reworking and redistribution of those contents. (Less)
Abstract
This article deals with a comparison between Matilde Serao’s short story “Checchina’s Virtue” ( 1884 ) and the homonymous unpublished theatrical script written by Massimo Franciosa ( 1995 ), of which a summary is provided. The comparison between the source text and the adaptation draws on the debate about the narrativity of drama in which many scholars have engaged in the last decades: Richardson (1987) , Chatman (1990) , Jahn (2001) , Fludernik (2008) and Nünning & Sommer (2008) . The analysis focuses on two forms of diegetic narrativity that appear in the short story, i. e. free indirect discourse and the iterative mode, in order to see how the theatrical script deals with them. The analysis shows that the script preserves the... (More)
This article deals with a comparison between Matilde Serao’s short story “Checchina’s Virtue” ( 1884 ) and the homonymous unpublished theatrical script written by Massimo Franciosa ( 1995 ), of which a summary is provided. The comparison between the source text and the adaptation draws on the debate about the narrativity of drama in which many scholars have engaged in the last decades: Richardson (1987) , Chatman (1990) , Jahn (2001) , Fludernik (2008) and Nünning & Sommer (2008) . The analysis focuses on two forms of diegetic narrativity that appear in the short story, i. e. free indirect discourse and the iterative mode, in order to see how the theatrical script deals with them. The analysis shows that the script preserves the narrative contents of the source text and highlights how diegetic and mimetic narrativity collaborate to the reworking and redistribution of those contents. (Less)
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author
organization
alternative title
The Unpublished Theatre Screeplay "La Virtù di Checchina” : Free indirect discourse and Iterative in the Intermedial Transfer
publishing date
type
Contribution to journal
publication status
published
subject
keywords
unpublished, Franciosa, “Checchina’s Virtue”, Serao, iterative, free indirect discourse, diegetic narrativity, mimetic narrativity , Serao, free indirect discourse, iterative, diegetic narrativity, mimetic narrativity, Franciosa, unpublished, Checchina's Virtue
in
Revue Romane
volume
52
issue
2
pages
283 - 301
publisher
John Benjamins Publishing Company
external identifiers
  • scopus:85038395916
ISSN
0035-3906
DOI
10.1075/rro.52.2.11kil
language
Italian
LU publication?
yes
id
86166c58-143f-4511-9a00-2812d4c9ebc7
date added to LUP
2016-12-21 09:01:00
date last changed
2018-01-07 11:42:10
@article{86166c58-143f-4511-9a00-2812d4c9ebc7,
  abstract     = {This article deals with a comparison between Matilde Serao’s short story “Checchina’s Virtue” ( 1884 ) and the homonymous unpublished theatrical script written by Massimo Franciosa ( 1995 ), of which a summary is provided. The comparison between the source text and the adaptation draws on the debate about the narrativity of drama in which many scholars have engaged in the last decades: Richardson (1987) , Chatman (1990) , Jahn (2001) , Fludernik (2008) and Nünning & Sommer (2008) . The analysis focuses on two forms of diegetic narrativity that appear in the short story, i. e. free indirect discourse and the iterative mode, in order to see how the theatrical script deals with them. The analysis shows that the script preserves the narrative contents of the source text and highlights how diegetic and mimetic narrativity collaborate to the reworking and redistribution of those contents.},
  author       = {Killander Cariboni, Carla},
  issn         = {0035-3906},
  keyword      = {unpublished, Franciosa, “Checchina’s Virtue”, Serao, iterative, free indirect discourse, diegetic narrativity, mimetic narrativity ,Serao,free indirect discourse,iterative,diegetic narrativity,mimetic narrativity,Franciosa,unpublished,Checchina's Virtue},
  language     = {ita},
  month        = {11},
  number       = {2},
  pages        = {283--301},
  publisher    = {John Benjamins Publishing Company},
  series       = {Revue Romane},
  title        = {La sceneggiatura teatrale inedita di “La Virtù di Checchina” : Discorso indiretto libero e modo iterativo nel transfer intermediale},
  url          = {http://dx.doi.org/10.1075/rro.52.2.11kil},
  volume       = {52},
  year         = {2017},
}