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Creating temporal and spatial connections through and with co-costumed entanglements

Østergaard, Charlotte LU (2022) Critical Costume
Abstract
This Critical Costume exhibition presentation derives from the twelve-hour costume-based ‘performative-walk’ Community Walk (2020). The frame for Community Walk was a bright yellow costume that physically connected two wearers. In Community Walk I, the researcher and costume designer, placed myself ‘in the centre’ of the co-wearing entanglements. For twelve hours I co-wore the costume in the central area of Copenhagen, DK connected to twelve different co-wearers. One hour with each co-wearing participant. In the video I share some of the values that are the foundation for my artistic practice and research – hence, for this project. I unfold aspects of the co-wearing experience. For example, that the costume orientated the co-wearers... (More)
This Critical Costume exhibition presentation derives from the twelve-hour costume-based ‘performative-walk’ Community Walk (2020). The frame for Community Walk was a bright yellow costume that physically connected two wearers. In Community Walk I, the researcher and costume designer, placed myself ‘in the centre’ of the co-wearing entanglements. For twelve hours I co-wore the costume in the central area of Copenhagen, DK connected to twelve different co-wearers. One hour with each co-wearing participant. In the video I share some of the values that are the foundation for my artistic practice and research – hence, for this project. I unfold aspects of the co-wearing experience. For example, that the costume orientated the co-wearers towards each other and that they as a connected pair had to navigate and negotiate the costume, by-passing spectator(s), and urban environment. (Less)
Please use this url to cite or link to this publication:
author
organization
publishing date
type
Contribution to conference
publication status
published
subject
keywords
co-costuming, Costumed perfomance, costume, artistic research, co-creative processes, co-creation, co-creators, material-discursive listening, material agency, material-discursive practice
editor
Muniz, Rosane
conference name
Critical Costume
conference location
Helsinki, Finland
conference dates
2022-11-17 - 2022-11-20
project
Crafting material bodies - exploring co-creative costume processes
language
English
LU publication?
yes
additional info
Ahmed S. (2006), Queer Phenomenology – orientations, objects, Others, Duke University Press. Ahmed S. (2010), Orientation matters, In (Eds.) Coole D. & Frost S.; New materialism – ontology, agency, and politics, Durham & London: Duke University Press. Barad K. (2007), Meeting the universe halfway – quantum physics and the entanglement of matter and meaning, Duke University Press. Bozalek V. & Zembylas, M. (2017), Towards a response-able pedagogy across higher education institution on post-apartheid South Africa: An ethico-political analysis, Education as change, 21(2), p. 62–85, DOI:10.17159/1947-9417/2017/2017 Haraway D. (2017), Staying with the Trouble – Making Kin in the Chthulucene, Durham and London: Duke University Press.
id
87e40c4a-d632-4d66-93bf-90dd9a7a1535
alternative location
https://www.youtube.com/watch?v=00LwTh3xScI
date added to LUP
2022-11-22 16:00:06
date last changed
2022-11-25 11:56:10
@misc{87e40c4a-d632-4d66-93bf-90dd9a7a1535,
  abstract     = {{This Critical Costume exhibition presentation derives from the twelve-hour costume-based ‘performative-walk’ Community Walk (2020). The frame for Community Walk was a bright yellow costume that physically connected two wearers. In Community Walk I, the researcher and costume designer, placed myself ‘in the centre’ of the co-wearing entanglements. For twelve hours I co-wore the costume in the central area of Copenhagen, DK connected to twelve different co-wearers. One hour with each co-wearing participant. In the video I share some of the values that are the foundation for my artistic practice and research – hence, for this project. I unfold aspects of the co-wearing experience. For example, that the costume orientated the co-wearers towards each other and that they as a connected pair had to navigate and negotiate the costume, by-passing spectator(s), and urban environment.}},
  author       = {{Østergaard, Charlotte}},
  editor       = {{Muniz, Rosane}},
  keywords     = {{co-costuming; Costumed perfomance; costume; artistic research; co-creative processes; co-creation; co-creators; material-discursive listening; material agency; material-discursive practice}},
  language     = {{eng}},
  month        = {{11}},
  title        = {{Creating temporal and spatial connections through and with co-costumed entanglements}},
  url          = {{https://www.youtube.com/watch?v=00LwTh3xScI}},
  year         = {{2022}},
}