Creating temporal and spatial connections through and with co-costumed entanglements
(2022) Critical Costume- Abstract
- This Critical Costume exhibition presentation derives from the twelve-hour costume-based ‘performative-walk’ Community Walk (2020). The frame for Community Walk was a bright yellow costume that physically connected two wearers. In Community Walk I, the researcher and costume designer, placed myself ‘in the centre’ of the co-wearing entanglements. For twelve hours I co-wore the costume in the central area of Copenhagen, DK connected to twelve different co-wearers. One hour with each co-wearing participant. In the video I share some of the values that are the foundation for my artistic practice and research – hence, for this project. I unfold aspects of the co-wearing experience. For example, that the costume orientated the co-wearers... (More)
- This Critical Costume exhibition presentation derives from the twelve-hour costume-based ‘performative-walk’ Community Walk (2020). The frame for Community Walk was a bright yellow costume that physically connected two wearers. In Community Walk I, the researcher and costume designer, placed myself ‘in the centre’ of the co-wearing entanglements. For twelve hours I co-wore the costume in the central area of Copenhagen, DK connected to twelve different co-wearers. One hour with each co-wearing participant. In the video I share some of the values that are the foundation for my artistic practice and research – hence, for this project. I unfold aspects of the co-wearing experience. For example, that the costume orientated the co-wearers towards each other and that they as a connected pair had to navigate and negotiate the costume, by-passing spectator(s), and urban environment. (Less)
Please use this url to cite or link to this publication:
https://lup.lub.lu.se/record/87e40c4a-d632-4d66-93bf-90dd9a7a1535
- author
- Østergaard, Charlotte LU and Muniz, Rosane
- organization
- publishing date
- 2022-11-17
- type
- Non-textual form
- publication status
- published
- subject
- keywords
- co-costuming, Costumed perfomance, costume, artistic research, co-creative processes, co-creation, co-creators, material-discursive listening, material agency, material-discursive practice
- conference name
- Critical Costume
- conference location
- Helsinki, Finland
- conference dates
- 2022-11-17 - 2022-11-20
- project
- Crafting material bodies - exploring co-creative costume processes
- language
- English
- LU publication?
- yes
- additional info
- Ahmed S. (2006), Queer Phenomenology – orientations, objects, Others, Duke University Press. Ahmed S. (2010), Orientation matters, In (Eds.) Coole D. & Frost S.; New materialism – ontology, agency, and politics, Durham & London: Duke University Press. Barad K. (2007), Meeting the universe halfway – quantum physics and the entanglement of matter and meaning, Duke University Press. Bozalek V. & Zembylas, M. (2017), Towards a response-able pedagogy across higher education institution on post-apartheid South Africa: An ethico-political analysis, Education as change, 21(2), p. 62–85, DOI:10.17159/1947-9417/2017/2017 Haraway D. (2017), Staying with the Trouble – Making Kin in the Chthulucene, Durham and London: Duke University Press.
- id
- 87e40c4a-d632-4d66-93bf-90dd9a7a1535
- alternative location
- https://www.youtube.com/watch?v=00LwTh3xScI
- date added to LUP
- 2022-11-22 16:00:06
- date last changed
- 2024-12-09 14:08:25
@misc{87e40c4a-d632-4d66-93bf-90dd9a7a1535, abstract = {{This Critical Costume exhibition presentation derives from the twelve-hour costume-based ‘performative-walk’ Community Walk (2020). The frame for Community Walk was a bright yellow costume that physically connected two wearers. In Community Walk I, the researcher and costume designer, placed myself ‘in the centre’ of the co-wearing entanglements. For twelve hours I co-wore the costume in the central area of Copenhagen, DK connected to twelve different co-wearers. One hour with each co-wearing participant. In the video I share some of the values that are the foundation for my artistic practice and research – hence, for this project. I unfold aspects of the co-wearing experience. For example, that the costume orientated the co-wearers towards each other and that they as a connected pair had to navigate and negotiate the costume, by-passing spectator(s), and urban environment.}}, author = {{Østergaard, Charlotte and Muniz, Rosane}}, keywords = {{co-costuming; Costumed perfomance; costume; artistic research; co-creative processes; co-creation; co-creators; material-discursive listening; material agency; material-discursive practice}}, language = {{eng}}, month = {{11}}, title = {{Creating temporal and spatial connections through and with co-costumed entanglements}}, url = {{https://www.youtube.com/watch?v=00LwTh3xScI}}, year = {{2022}}, }