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Night for Day

Wardill, Emily LU (2020)
Abstract
Night for Day uses the fake relationship between a mother and a son to think about what would happen if a communist revolutionary gave birth to a techno utopian, if gender as performitivity was thought through the lens of women making the political decision to live clandestinely in Portugal for a larger part of the 20th century and if the “Last Woman” were the fem bot from The Tales of Hoffman.

Comprised of interviews conducted with Isabel do Carmo, who co-ran the Revolutionary Brigades in Portugal that helped to overthrow the longest fascist dictatorship in Europe and two young men Alexander Bridi and Djelal Osman – astrophysicists running a startup in Lisbon that attempts to programme computers to recognise moving images- the... (More)
Night for Day uses the fake relationship between a mother and a son to think about what would happen if a communist revolutionary gave birth to a techno utopian, if gender as performitivity was thought through the lens of women making the political decision to live clandestinely in Portugal for a larger part of the 20th century and if the “Last Woman” were the fem bot from The Tales of Hoffman.

Comprised of interviews conducted with Isabel do Carmo, who co-ran the Revolutionary Brigades in Portugal that helped to overthrow the longest fascist dictatorship in Europe and two young men Alexander Bridi and Djelal Osman – astrophysicists running a startup in Lisbon that attempts to programme computers to recognise moving images- the film collages a subjectivity from fragments of camera's struggling to see at night, out in the cold presences watching families inside their homes and images that attempt to describe a loved one in frequencies of three.

Their imaginary house is the real family home of the late architect António Teixeira Guerra, finished just before 1974, designed in the shape of a triangle and shot at the time he always chose to invite guests - the magic hour – when day either becomes night or night becomes day.

Night 4 Day premiered at Secession, Vienna and was a co production with Kohta in Helsinki and Stenar Projects, Lisbon.
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author
organization
publishing date
type
Non-textual form
publication status
published
subject
language
English
LU publication?
yes
id
b984b8fa-a114-497b-8394-eba49252b17f
date added to LUP
2023-09-21 14:40:03
date last changed
2023-09-25 09:56:03
@misc{b984b8fa-a114-497b-8394-eba49252b17f,
  abstract     = {{Night for Day uses the fake relationship between a mother and a son to think about what would happen if a communist revolutionary gave birth to a techno utopian, if gender as performitivity was thought through the lens of women making the political decision to live clandestinely in Portugal for a larger part of the 20th century and if the “Last Woman” were the fem bot from The Tales of Hoffman.<br/><br/>Comprised of interviews conducted with Isabel do Carmo, who co-ran the Revolutionary Brigades in Portugal that helped to overthrow the longest fascist dictatorship in Europe and two young men Alexander Bridi and Djelal Osman – astrophysicists running a startup in Lisbon that attempts to programme computers to recognise moving images- the film collages a subjectivity from fragments of camera's struggling to see at night, out in the cold presences watching families inside their homes and images that attempt to describe a loved one in frequencies of three.<br/><br/>Their imaginary house is the real family home of the late architect António Teixeira Guerra, finished just before 1974, designed in the shape of a triangle and shot at the time he always chose to invite guests - the magic hour – when day either becomes night or night becomes day. <br/><br/>Night 4 Day premiered at Secession, Vienna and was a co production with Kohta in Helsinki and Stenar Projects, Lisbon. <br/>}},
  author       = {{Wardill, Emily}},
  language     = {{eng}},
  month        = {{10}},
  title        = {{Night for Day}},
  year         = {{2020}},
}