Pop Materialising : Layers and topological space in digital pop music
Reuter, Anders LU
(2022)
In Organised Sound
27(1).
p.59-68
- Abstract
- This article argues that pop music’s increasing assimilation of hip-hop and EDM (electronic dance music) practices combine with computational automation and this has substantial consequences for musical space. Traditional ‘space-makers’ such as reverb or delay are subject to other functions such as frequency filters and compression that interrelate processual layers of textures. Instead of an active-listener-orientated sonic-space with distinct source-bonded entities, it is based on a particular sonic materiality. With a new media theoretical approach, I consequently argue that this new type of space can better be understood as a mediatised topological materiality.
Please use this url to cite or link to this publication:
https://lup.lub.lu.se/record/ecf00dd0-9bb0-4bd9-a91c-279527292105
- author
- Reuter, Anders
LU
- publishing date
- 2022-04-22
- type
- Contribution to journal
- publication status
- published
- subject
- in
- Organised Sound
- volume
- 27
- issue
- 1
- pages
- 10 pages
- publisher
- Cambridge University Press
- external identifiers
-
- scopus:85136987992
- ISSN
- 1355-7718
- DOI
- 10.1017/S1355771822000243
- language
- English
- LU publication?
- no
- id
- ecf00dd0-9bb0-4bd9-a91c-279527292105
- date added to LUP
- 2022-12-07 13:01:29
- date last changed
- 2022-12-08 05:25:19
@article{ecf00dd0-9bb0-4bd9-a91c-279527292105,
abstract = {{This article argues that pop music’s increasing assimilation of hip-hop and EDM (electronic dance music) practices combine with computational automation and this has substantial consequences for musical space. Traditional ‘space-makers’ such as reverb or delay are subject to other functions such as frequency filters and compression that interrelate processual layers of textures. Instead of an active-listener-orientated sonic-space with distinct source-bonded entities, it is based on a particular sonic materiality. With a new media theoretical approach, I consequently argue that this new type of space can better be understood as a mediatised topological materiality.}},
author = {{Reuter, Anders}},
issn = {{1355-7718}},
language = {{eng}},
month = {{04}},
number = {{1}},
pages = {{59--68}},
publisher = {{Cambridge University Press}},
series = {{Organised Sound}},
title = {{Pop Materialising : Layers and topological space in digital pop music}},
url = {{http://dx.doi.org/10.1017/S1355771822000243}},
doi = {{10.1017/S1355771822000243}},
volume = {{27}},
year = {{2022}},
}