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Ingmar Bergman's 'Face to Face'

Tapper, Michael LU (2017)
Abstract
The 1976 premiere of Face to Face came at the height of director-screenwriter Ingmar Bergman's career. Prestigious awards and critical acclaim had made him into a leading name in European art cinema, yet today Face to Face is a largely overlooked and dismissed work.

This book tells the story of its rise and fall. It presents a new portrait of Bergman as a political artist exploring a new medium with huge public impact: television. Inspired by Henrik Ibsen, feminism, and alternative psychotherapy, he made a series of portraits of the modern bourgeois family focusing on the plight of women; Face to Face followed in the tracks of The Lie (1970) and Scenes from a Marriage (1973). By his workbooks, engagement planners, and other... (More)
The 1976 premiere of Face to Face came at the height of director-screenwriter Ingmar Bergman's career. Prestigious awards and critical acclaim had made him into a leading name in European art cinema, yet today Face to Face is a largely overlooked and dismissed work.

This book tells the story of its rise and fall. It presents a new portrait of Bergman as a political artist exploring a new medium with huge public impact: television. Inspired by Henrik Ibsen, feminism, and alternative psychotherapy, he made a series of portraits of the modern bourgeois family focusing on the plight of women; Face to Face followed in the tracks of The Lie (1970) and Scenes from a Marriage (1973). By his workbooks, engagement planners, and other archival material, we can trace his investigation into the heart of repressive family structures to eventually glimpse a way out. This volume culminates in an extensive study of the two-year process from the first outlines of the screenplay to the reception and aftermath of Face to Face. It thus offers a unique insight into Bergman's world, his ideas and artistry during a turbulent time in cinema history. (Less)
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author
organization
publishing date
type
Book/Report
publication status
published
subject
keywords
Ingmar Bergman, Ansikte mot ansikte (tv-serie/film), Henrik Ibsen, tv-produktion, primalterapi, Arthur Janov, Ingmar Bergman, Face to Face, Ansikte mot ansikte, TV production, Arthur Janov, primal therapy, ideology, Henrik Ibsen
pages
216 pages
publisher
Wallflower Press
ISBN
978-0231176521
978-0231176538
language
English
LU publication?
yes
additional info
The 1976 premiere of Face to Face came at the height of director-screenwriter Ingmar Bergman's career. Prestigious awards and critical acclaim had made him into a leading name in European art cinema, yet today Face to Face is a largely overlooked and dismissed work. This book tells the story of its rise and fall. It presents a new portrait of Bergman as a political artist exploring a new medium with huge public impact: television. Inspired by Henrik Ibsen, feminism, and alternative psychotherapy, he made a series of portraits of the modern bourgeois family focusing on the plight of women; Face to Face followed in the tracks of The Lie (1970) and Scenes from a Marriage (1973). By his workbooks, engagement planners, and other archival material, we can trace his investigation into the heart of repressive family structures to eventually glimpse a way out. This volume culminates in an extensive study of the two-year process from the first outlines of the screenplay to the reception and aftermath of Face to Face. It thus offers a unique insight into Bergman's world, his ideas and artistry during a turbulent time in cinema history.
id
ef21db9c-f321-44ce-9322-a745d6f84946
date added to LUP
2017-10-06 17:18:39
date last changed
2021-03-23 22:22:08
@book{ef21db9c-f321-44ce-9322-a745d6f84946,
  abstract     = {{The 1976 premiere of Face to Face came at the height of director-screenwriter Ingmar Bergman's career. Prestigious awards and critical acclaim had made him into a leading name in European art cinema, yet today Face to Face is a largely overlooked and dismissed work.<br/><br/>This book tells the story of its rise and fall. It presents a new portrait of Bergman as a political artist exploring a new medium with huge public impact: television. Inspired by Henrik Ibsen, feminism, and alternative psychotherapy, he made a series of portraits of the modern bourgeois family focusing on the plight of women; Face to Face followed in the tracks of The Lie (1970) and Scenes from a Marriage (1973). By his workbooks, engagement planners, and other archival material, we can trace his investigation into the heart of repressive family structures to eventually glimpse a way out. This volume culminates in an extensive study of the two-year process from the first outlines of the screenplay to the reception and aftermath of Face to Face. It thus offers a unique insight into Bergman's world, his ideas and artistry during a turbulent time in cinema history.}},
  author       = {{Tapper, Michael}},
  isbn         = {{978-0231176521}},
  keywords     = {{Ingmar Bergman, Ansikte mot ansikte (tv-serie/film), Henrik Ibsen, tv-produktion, primalterapi, Arthur Janov; Ingmar Bergman; Face to Face; Ansikte mot ansikte; TV production; Arthur Janov; primal therapy; ideology; Henrik Ibsen}},
  language     = {{eng}},
  month        = {{10}},
  publisher    = {{Wallflower Press}},
  title        = {{Ingmar Bergman's 'Face to Face'}},
  year         = {{2017}},
}