Bodily movements and female subjectivities
(2021) Doing Women's Film and Television History Conference- Abstract
- By applying Simone de Beauvoir’s philosophy on women as situated embodied subjects and other feminist phenomenological perspectives, I will explore how the Swedish short film Juck (2018) challenges and reframes what it means to screen female bodies and how it in turn contributes to a form of radical feminist (film) practice.
Please use this url to cite or link to this publication:
https://lup.lub.lu.se/record/f4823cc4-4bbc-442d-aef5-c35641dd6eff
- author
- Svane, Anette LU
- organization
- publishing date
- 2021
- type
- Contribution to conference
- publication status
- unpublished
- subject
- keywords
- film studies, subjectivity, Feminism and art, phenomenology
- conference name
- Doing Women's Film and Television History Conference
- conference location
- Ireland
- conference dates
- 2021-07-10 - 2021-07-11
- language
- English
- LU publication?
- yes
- id
- f4823cc4-4bbc-442d-aef5-c35641dd6eff
- date added to LUP
- 2021-11-24 14:04:33
- date last changed
- 2021-12-09 12:26:38
@misc{f4823cc4-4bbc-442d-aef5-c35641dd6eff,
abstract = {{By applying Simone de Beauvoir’s philosophy on women as situated embodied subjects and other feminist phenomenological perspectives, I will explore how the Swedish short film Juck (2018) challenges and reframes what it means to screen female bodies and how it in turn contributes to a form of radical feminist (film) practice.}},
author = {{Svane, Anette}},
keywords = {{film studies; subjectivity; Feminism and art; phenomenology}},
language = {{eng}},
title = {{Bodily movements and female subjectivities}},
year = {{2021}},
}