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- 2016
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Mark
Today's Sounds for Yesterday's Films : Making Music for Silent Cinema
- Book/Report › Anthology (editor)
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Mark
To be in Dialogue with the Film : With Neil Brand and Lillian Henley at the Masterclasses at Pordenone Silent Film Festival
2016) p.192-215(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Strange Bedfellows : Lindsay Anderson and Chariots of Fire
2016) p.173-186(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Var 1864-serien forpligtet på den historiske virkelighed?
2016) In Jyllands-Posten(
- Contribution to specialist publication or newspaper › Newspaper article
-
Mark
Music and the Resurfacing of Silent Film : A General Introduction
2016) p.1-9(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Lindsay Anderson Revisited : Unknown Aspects of a Film Director
Hedling, Erik LU and Dupin, Christophe (2016)
- Book/Report › Anthology (editor)
-
Mark
Cinema in the Welfare State : Notes on Public Support, Regional Film Funds, and Film Policy in Swedish Film
(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
‘Why not make films for New York?’ : The interaction between cultural, political and commercial perspectives in Swedish Film Policy 1963-2013
(
- Contribution to journal › Article
-
Mark
Useful Cinema and the Concept of the Auteur
2016) Approaches to ”useful” cinema(
- Contribution to conference › Paper, not in proceeding
-
Mark
Monoform vs Subversion : The Swedish Peace Movement and the Transnational Production of Peter Watkins’ The Journey (1987)
2016) NECS: European Network for Cinema and Media Studies, 2016(
- Contribution to conference › Paper, not in proceeding