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- 2018
-
Mark
‘Why not make films for New York?’ : The interaction between cultural, political and commercial perspectives in Swedish film policy 1963–2013
2018) p.55-68(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Into the Film with Music : Measuring Eyeblinks to Explore the Role of Film Music in Emotional Arousal and Narrative Transportation
2018) p.65-85(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Spaces of becoming: the Stockholm Film Workshop as a transnational site of film production
2018) p.40-51(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Semiotic aspects of Lacan’s notion of the Imaginary order : An inquiry into Spike Jonze’s film Her (2013)
(
- Contribution to journal › Article
-
Mark
Celebrated, Contested, Criticized: Anita Ekberg, a Swedish Sex Goddess in Hollywood
(
- Contribution to conference › Abstract
-
Mark
Hur var det med Werner?
(
- Contribution to specialist publication or newspaper › Review (Book/Film/Exhibition/etc.)
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Mark
“Co-opted” for national cultural prestige, economic growth, place promotion and structural economic change? : Notes on the increasing production of European films
(
- Contribution to conference › Paper, not in proceeding
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Mark
“One need never doubt one’s worth in the market” : Notes on the Production Contexts of Bergman's Film Career
(
- Contribution to conference › Paper, not in proceeding
-
Mark
No country for old men : utopian stories of welfare society’s shortcomings in A Man Called Ove and The 100-Year-Old Man
(
- Contribution to journal › Article
-
Mark
Hyllning till den outtömlige Bergman
(
- Contribution to specialist publication or newspaper › Specialist publication article