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Maktmote under renessansen: En analyse av dronnings garderoben som maktspråk fra 1500-1650

Melbye, Else LU (2026) MODK63 20261
Division of Fashion Studies
Abstract
The purpose of this essay is to uncover how fashion in the royal court during the renaissance can be used to communicate power. To do this I have done research on Queen Elizabeth I and Quenn Christina of Sweden to understand how powerful women of the renaissance between 16th century and mid-17th century dressed. These queens are also women that had the highest position of power in a society where it was abnormal for women to lead. Therefor have I reached through picture analysis how they dressed and how they depicted their visual identity and how they could do political act just through their clothes by using proto-soft-power that allowed women through the use of clothing, manipulate and use clothing to their advantage in circumstances... (More)
The purpose of this essay is to uncover how fashion in the royal court during the renaissance can be used to communicate power. To do this I have done research on Queen Elizabeth I and Quenn Christina of Sweden to understand how powerful women of the renaissance between 16th century and mid-17th century dressed. These queens are also women that had the highest position of power in a society where it was abnormal for women to lead. Therefor have I reached through picture analysis how they dressed and how they depicted their visual identity and how they could do political act just through their clothes by using proto-soft-power that allowed women through the use of clothing, manipulate and use clothing to their advantage in circumstances where a woman did not directly occupy a position of power. They would also occupy space and express power through their visual identity. Queen Elizabeth I and Queen Christina are examples of two queens that know how to use their clothing has a way to express and strengthen their political power, but also as a way to show their own identity as intellectual women. The expression proto-soft-power is also interesting as it references to women even though this was a strategi used by both male and female monarchs to strengthens their own and the countries position. (Less)
Please use this url to cite or link to this publication:
author
Melbye, Else LU
supervisor
organization
course
MODK63 20261
year
type
M2 - Bachelor Degree
subject
keywords
Dronning Elizabeth I, Dronning Christina av Sverige, proto-soft-power, visuell identitet, renessansen
language
Norwegian
id
9245565
date added to LUP
2026-08-17 13:58:45
date last changed
2026-08-17 13:58:45
@misc{9245565,
  abstract     = {{The purpose of this essay is to uncover how fashion in the royal court during the renaissance can be used to communicate power. To do this I have done research on Queen Elizabeth I and Quenn Christina of Sweden to understand how powerful women of the renaissance between 16th century and mid-17th century dressed. These queens are also women that had the highest position of power in a society where it was abnormal for women to lead. Therefor have I reached through picture analysis how they dressed and how they depicted their visual identity and how they could do political act just through their clothes by using proto-soft-power that allowed women through the use of clothing, manipulate and use clothing to their advantage in circumstances where a woman did not directly occupy a position of power. They would also occupy space and express power through their visual identity. Queen Elizabeth I and Queen Christina are examples of two queens that know how to use their clothing has a way to express and strengthen their political power, but also as a way to show their own identity as intellectual women. The expression proto-soft-power is also interesting as it references to women even though this was a strategi used by both male and female monarchs to strengthens their own and the countries position.}},
  author       = {{Melbye, Else}},
  language     = {{nor}},
  note         = {{Student Paper}},
  title        = {{Maktmote under renessansen: En analyse av dronnings garderoben som maktspråk fra 1500-1650}},
  year         = {{2026}},
}